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titans
The Air is Hazardous
Dry Pastels & Charcoal on Paper
60 x 42 inches
60 x 42 inches
"This Way"
Dry Pastels on Paper, 2023
22 x 30 inches
22 x 30 inches
1985: A Beautiful Day in Lower Manhattan
Dry Pastels & Colored Pencils on Paper, 2021
36 x 60 inches
36 x 60 inches
2001: End of An Era...
Dry Pastels & on Paper, 2021
36 x 60 inches
36 x 60 inches
2021: Into the Storm...
Dry Pastels & Charcoal on Paper, 2021
36 x 60 inches
36 x 60 inches
New Vatican
Dry Pastels and Charcoal on Paper, 2021
36 x 60 inches
36 x 60 inches
Lovers
Dry Pastels on Paper, 2021
36 x 60 inches
36 x 60 inches
Central Park Hospital
Dry Pastels on Paper, 2021
36 x 60 inches
36 x 60 inches
The New Kid in Town
Dry Pastels on Paper, 2021
40 x 60 inches
40 x 60 inches
City vs. its People
Dry Pastels on Paper, 2021
36 x 60 inches
36 x 60 inches
Roman Vacation
Dry Pastels on Paper, 2021
40 x 60 inches
40 x 60 inches
Mr. Beekman Hotel's New Wardrobe
Dry Pastels & Charcoal on Paper, 2021
40 x 60 inches
40 x 60 inches
Supertall Supermodels
Dry Pastels and Colored Pencils on Paper, 2021
36 x 60 inches
36 x 60 inches
Battle of the Giants: Lady Chrysler vs. the Trump Tower
Dry Pastels and Charcoal on Paper, 2021
40 x 60 inches
40 x 60 inches
Battle of the Giants: Empire vs. Freedom
Dry Pastels on Paper, 2021
36 x 60 inches
36 x 60 inches
Return of the King
Dry Pastels on Paper, 2021
60 x 36 inches
60 x 36 inches
Viva Ucrania!
Dry Pastels on Paper, 2021
36 x 60 inches
36 x 60 inches
Drunk Tower
Conceived by Diego Salazar
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
A bust of 550 Madison Ave visually affected by a few too many beers
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
A bust of 550 Madison Ave visually affected by a few too many beers
Drunk Tower
Conceived by Diego Salazar
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
A bust of 550 Madison Ave visually affected by a few too many beers
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
A bust of 550 Madison Ave visually affected by a few too many beers
Drunk Tower
Conceived by Diego Salazar
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
A bust of 550 Madison Ave visually affected by a few too many beers
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
A bust of 550 Madison Ave visually affected by a few too many beers
Drunk Tower
Conceived by Diego Salazar
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
A bust of 550 Madison Ave visually affected by a few too many beers
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
A bust of 550 Madison Ave visually affected by a few too many beers
Drunk Tower
Conceived by Diego Salazar
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
A bust of 550 Madison Ave visually affected by a few too many beers
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
A bust of 550 Madison Ave visually affected by a few too many beers
Drunk Tower
Conceived by Diego Salazar
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
A bust of 550 Madison Ave visually affected by a few too many beers
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
A bust of 550 Madison Ave visually affected by a few too many beers
Drunk Tower
Conceived by Diego Salazar
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
A bust of 550 Madison Ave visually affected by a few too many beers
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
A bust of 550 Madison Ave visually affected by a few too many beers
Drunk Tower
Conceived by Diego Salazar
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
A bust of 550 Madison Ave visually affected by a few too many beers
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
A bust of 550 Madison Ave visually affected by a few too many beers
Drunk Tower
Conceived by Diego Salazar
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
A bust of 550 Madison Ave visually affected by a few too many beers
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
A bust of 550 Madison Ave visually affected by a few too many beers
Drunk Tower
Conceived by Diego Salazar
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
A bust of 550 Madison Ave visually affected by a few too many beers
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
A bust of 550 Madison Ave visually affected by a few too many beers
Drunk Tower
Conceived by Diego Salazar
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
A bust of 550 Madison Ave visually affected by a few too many beers
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
A bust of 550 Madison Ave visually affected by a few too many beers
Drunk Tower
Conceived by Diego Salazar
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
A bust of 550 Madison Ave visually affected by a few too many beers
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
A bust of 550 Madison Ave visually affected by a few too many beers
Drunk Tower
Conceived by Diego Salazar
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
A bust of 550 Madison Ave visually affected by a few too many beers
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
A bust of 550 Madison Ave visually affected by a few too many beers
Drunk Tower
Conceived by Diego Salazar
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
A bust of 550 Madison Ave visually affected by a few too many beers
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
A bust of 550 Madison Ave visually affected by a few too many beers
Drunk Tower
Conceived by Diego Salazar
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
A bust of 550 Madison Ave visually affected by a few too many beers
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
A bust of 550 Madison Ave visually affected by a few too many beers
Drunk Tower
Conceived by Diego Salazar
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
A bust of 550 Madison Ave visually affected by a few too many beers
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
A bust of 550 Madison Ave visually affected by a few too many beers
Drunk Tower
Conceived by Diego Salazar
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
A bust of 550 Madison Ave visually affected by a few too many beers
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
A bust of 550 Madison Ave visually affected by a few too many beers
Drunk Tower
Conceived by Diego Salazar
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
A bust of 550 Madison Ave visually affected by a few too many beers
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
A bust of 550 Madison Ave visually affected by a few too many beers
Drunk Tower
Conceived by Diego Salazar
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
A bust of 550 Madison Ave visually affected by a few too many beers
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
A bust of 550 Madison Ave visually affected by a few too many beers
Drunk Tower
Conceived by Diego Salazar
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
A bust of 550 Madison Ave visually affected by a few too many beers
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
A bust of 550 Madison Ave visually affected by a few too many beers
Drunk Tower
Conceived by Diego Salazar
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
A bust of 550 Madison Ave visually affected by a few too many beers
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
A bust of 550 Madison Ave visually affected by a few too many beers
Drunk Tower
Conceived by Diego Salazar
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
A bust of 550 Madison Ave visually affected by a few too many beers
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
A bust of 550 Madison Ave visually affected by a few too many beers
Drunk Tower
Conceived by Diego Salazar
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
A bust of 550 Madison Ave visually affected by a few too many beers
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
A bust of 550 Madison Ave visually affected by a few too many beers
Drunk Tower
Conceived by Diego Salazar
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
A bust of 550 Madison Ave visually affected by a few too many beers
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
A bust of 550 Madison Ave visually affected by a few too many beers
Drunk Tower
Conceived by Diego Salazar
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
A bust of 550 Madison Ave visually affected by a few too many beers
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
A bust of 550 Madison Ave visually affected by a few too many beers
Drunk Tower
Conceived by Diego Salazar
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
A bust of 550 Madison Ave visually affected by a few too many beers
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
A bust of 550 Madison Ave visually affected by a few too many beers
Drunk Tower
Conceived by Diego Salazar
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
A bust of 550 Madison Ave visually affected by a few too many beers
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
A bust of 550 Madison Ave visually affected by a few too many beers
Drunk Tower
Conceived by Diego Salazar
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
A bust of 550 Madison Ave visually affected by a few too many beers
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
A bust of 550 Madison Ave visually affected by a few too many beers
Drunk Tower
Conceived by Diego Salazar
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
A bust of 550 Madison Ave visually affected by a few too many beers
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
A bust of 550 Madison Ave visually affected by a few too many beers
Drunk Tower
Conceived by Diego Salazar
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
A bust of 550 Madison Ave visually affected by a few too many beers
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
A bust of 550 Madison Ave visually affected by a few too many beers
The Businessman
Designed and Conceived by Diego Salazar
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red Clay Ceramic, 2021
Mr. One Wall Street is late for an important meeting uptown.
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red Clay Ceramic, 2021
Mr. One Wall Street is late for an important meeting uptown.
The Businessman
Designed and Conceived by Diego Salazar
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red Clay Ceramic, 2021
Mr. One Wall Street is late for an important meeting uptown.
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red Clay Ceramic, 2021
Mr. One Wall Street is late for an important meeting uptown.
The Businessman
Designed and Conceived by Diego Salazar
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red Clay Ceramic, 2021
Mr. One Wall Street is late for an important meeting uptown.
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red Clay Ceramic, 2021
Mr. One Wall Street is late for an important meeting uptown.
The Businessman
Designed and Conceived by Diego Salazar
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red Clay Ceramic, 2021
Mr. One Wall Street is late for an important meeting uptown.
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red Clay Ceramic, 2021
Mr. One Wall Street is late for an important meeting uptown.
The Businessman
Designed and Conceived by Diego Salazar
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red Clay Ceramic, 2021
Mr. One Wall Street is late for an important meeting uptown.
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red Clay Ceramic, 2021
Mr. One Wall Street is late for an important meeting uptown.
The Businessman
Designed and Conceived by Diego Salazar
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red Clay Ceramic, 2021
Mr. One Wall Street is late for an important meeting uptown.
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red Clay Ceramic, 2021
Mr. One Wall Street is late for an important meeting uptown.
The Businessman
Designed and Conceived by Diego Salazar
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red Clay Ceramic, 2021
Mr. One Wall Street is late for an important meeting uptown.
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red Clay Ceramic, 2021
Mr. One Wall Street is late for an important meeting uptown.
The Businessman
Designed and Conceived by Diego Salazar
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red Clay Ceramic, 2021
Mr. One Wall Street is late for an important meeting uptown.
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red Clay Ceramic, 2021
Mr. One Wall Street is late for an important meeting uptown.
The Businessman
Designed and Conceived by Diego Salazar
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red Clay Ceramic, 2021
Mr. One Wall Street is late for an important meeting uptown.
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red Clay Ceramic, 2021
Mr. One Wall Street is late for an important meeting uptown.
The Businessman
Designed and Conceived by Diego Salazar
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red Clay Ceramic, 2021
Mr. One Wall Street is late for an important meeting uptown.
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red Clay Ceramic, 2021
Mr. One Wall Street is late for an important meeting uptown.
The Businessman
Designed and Conceived by Diego Salazar
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red Clay Ceramic, 2021
Mr. One Wall Street is late for an important meeting uptown.
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red Clay Ceramic, 2021
Mr. One Wall Street is late for an important meeting uptown.
The Businessman
Designed and Conceived by Diego Salazar
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red Clay Ceramic, 2021
Mr. One Wall Street is late for an important meeting uptown.
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red Clay Ceramic, 2021
Mr. One Wall Street is late for an important meeting uptown.
The Businessman
Designed and Conceived by Diego Salazar
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red Clay Ceramic, 2021
Mr. One Wall Street is late for an important meeting uptown.
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red Clay Ceramic, 2021
Mr. One Wall Street is late for an important meeting uptown.
The Businessman
Designed and Conceived by Diego Salazar
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red Clay Ceramic, 2021
Mr. One Wall Street is late for an important meeting uptown.
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red Clay Ceramic, 2021
Mr. One Wall Street is late for an important meeting uptown.
The Businessman
Designed and Conceived by Diego Salazar
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red Clay Ceramic, 2021
Mr. One Wall Street is late for an important meeting uptown.
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red Clay Ceramic, 2021
Mr. One Wall Street is late for an important meeting uptown.
The Businessman
Designed and Conceived by Diego Salazar
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red Clay Ceramic, 2021
Mr. One Wall Street is late for an important meeting uptown.
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red Clay Ceramic, 2021
Mr. One Wall Street is late for an important meeting uptown.
The Businessman
Designed and Conceived by Diego Salazar
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red Clay Ceramic, 2021
Mr. One Wall Street is late for an important meeting uptown.
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red Clay Ceramic, 2021
Mr. One Wall Street is late for an important meeting uptown.
The Businessman
Designed and Conceived by Diego Salazar
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red Clay Ceramic, 2021
Mr. One Wall Street is late for an important meeting uptown.
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red Clay Ceramic, 2021
Mr. One Wall Street is late for an important meeting uptown.
The Businessman
Designed and Conceived by Diego Salazar
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red Clay Ceramic, 2021
Mr. One Wall Street is late for an important meeting uptown.
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red Clay Ceramic, 2021
Mr. One Wall Street is late for an important meeting uptown.
The Businessman
Designed and Conceived by Diego Salazar
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red Clay Ceramic, 2021
Mr. One Wall Street is late for an important meeting uptown.
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red Clay Ceramic, 2021
Mr. One Wall Street is late for an important meeting uptown.
The Businessman
Designed and Conceived by Diego Salazar
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red Clay Ceramic, 2021
Mr. One Wall Street is late for an important meeting uptown.
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red Clay Ceramic, 2021
Mr. One Wall Street is late for an important meeting uptown.
The Businessman
Designed and Conceived by Diego Salazar
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red Clay Ceramic, 2021
Mr. One Wall Street is late for an important meeting uptown.
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red Clay Ceramic, 2021
Mr. One Wall Street is late for an important meeting uptown.
The Businessman
Designed and Conceived by Diego Salazar
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red Clay Ceramic, 2021
Mr. One Wall Street is late for an important meeting uptown.
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red Clay Ceramic, 2021
Mr. One Wall Street is late for an important meeting uptown.
The Businessman
Designed and Conceived by Diego Salazar
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red Clay Ceramic, 2021
Mr. One Wall Street is late for an important meeting uptown.
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red Clay Ceramic, 2021
Mr. One Wall Street is late for an important meeting uptown.
The Businessman
Designed and Conceived by Diego Salazar
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red Clay Ceramic, 2021
Mr. One Wall Street is late for an important meeting uptown.
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red Clay Ceramic, 2021
Mr. One Wall Street is late for an important meeting uptown.
The Businessman
Designed and Conceived by Diego Salazar
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red Clay Ceramic, 2021
Mr. One Wall Street is late for an important meeting uptown.
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red Clay Ceramic, 2021
Mr. One Wall Street is late for an important meeting uptown.
The Businessman
Designed and Conceived by Diego Salazar
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red Clay Ceramic, 2021
Mr. One Wall Street is late for an important meeting uptown.
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red Clay Ceramic, 2021
Mr. One Wall Street is late for an important meeting uptown.
The Businessman
Designed and Conceived by Diego Salazar
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red Clay Ceramic, 2021
Mr. One Wall Street is late for an important meeting uptown.
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red Clay Ceramic, 2021
Mr. One Wall Street is late for an important meeting uptown.
The Businessman
Designed and Conceived by Diego Salazar
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red Clay Ceramic, 2021
Mr. One Wall Street is late for an important meeting uptown.
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red Clay Ceramic, 2021
Mr. One Wall Street is late for an important meeting uptown.
The Businessman
Designed and Conceived by Diego Salazar
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red Clay Ceramic, 2021
Mr. One Wall Street is late for an important meeting uptown.
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red Clay Ceramic, 2021
Mr. One Wall Street is late for an important meeting uptown.
The Last Embrace
Designed and Conceived by Diego Salazar
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
The Twin Towers embrace one last time before their demise.
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
The Twin Towers embrace one last time before their demise.
The Last Embrace
Designed and Conceived by Diego Salazar
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
The Twin Towers embrace one last time before their demise.
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
The Twin Towers embrace one last time before their demise.
The Last Embrace
Designed and Conceived by Diego Salazar
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
The Twin Towers embrace one last time before their demise.
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
The Twin Towers embrace one last time before their demise.
The Last Embrace
Designed and Conceived by Diego Salazar
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
The Twin Towers embrace one last time before their demise.
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
The Twin Towers embrace one last time before their demise.
The Last Embrace
Designed and Conceived by Diego Salazar
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
The Twin Towers embrace one last time before their demise.
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
The Twin Towers embrace one last time before their demise.
The Last Embrace
Designed and Conceived by Diego Salazar
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
The Twin Towers embrace one last time before their demise.
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
The Twin Towers embrace one last time before their demise.
The Last Embrace
Designed and Conceived by Diego Salazar
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
The Twin Towers embrace one last time before their demise.
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
The Twin Towers embrace one last time before their demise.
The Last Embrace
Designed and Conceived by Diego Salazar
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
The Twin Towers embrace one last time before their demise.
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
The Twin Towers embrace one last time before their demise.
The Last Embrace
Designed and Conceived by Diego Salazar
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
The Twin Towers embrace one last time before their demise.
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
The Twin Towers embrace one last time before their demise.
The Last Embrace
Designed and Conceived by Diego Salazar
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
The Twin Towers embrace one last time before their demise.
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
The Twin Towers embrace one last time before their demise.
The Last Embrace
Designed and Conceived by Diego Salazar
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
The Twin Towers embrace one last time before their demise.
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
The Twin Towers embrace one last time before their demise.
The Last Embrace
Designed and Conceived by Diego Salazar
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
The Twin Towers embrace one last time before their demise.
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
The Twin Towers embrace one last time before their demise.
The Last Embrace
Designed and Conceived by Diego Salazar
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
The Twin Towers embrace one last time before their demise.
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
The Twin Towers embrace one last time before their demise.
The Last Embrace
Designed and Conceived by Diego Salazar
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
The Twin Towers embrace one last time before their demise.
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
The Twin Towers embrace one last time before their demise.
The Last Embrace
Designed and Conceived by Diego Salazar
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
The Twin Towers embrace one last time before their demise.
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
The Twin Towers embrace one last time before their demise.
The Last Embrace
Designed and Conceived by Diego Salazar
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
The Twin Towers embrace one last time before their demise.
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
The Twin Towers embrace one last time before their demise.
The Last Embrace
Designed and Conceived by Diego Salazar
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
The Twin Towers embrace one last time before their demise.
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
The Twin Towers embrace one last time before their demise.
The Last Embrace
Designed and Conceived by Diego Salazar
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
The Twin Towers embrace one last time before their demise.
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
The Twin Towers embrace one last time before their demise.
The Last Embrace
Designed and Conceived by Diego Salazar
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
The Twin Towers embrace one last time before their demise.
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
The Twin Towers embrace one last time before their demise.
The Last Embrace
Designed and Conceived by Diego Salazar
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
The Twin Towers embrace one last time before their demise.
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
The Twin Towers embrace one last time before their demise.
The Last Embrace
Designed and Conceived by Diego Salazar
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
The Twin Towers embrace one last time before their demise.
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
The Twin Towers embrace one last time before their demise.
The Last Embrace
Designed and Conceived by Diego Salazar
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
The Twin Towers embrace one last time before their demise.
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
The Twin Towers embrace one last time before their demise.
The Last Embrace
Designed and Conceived by Diego Salazar
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
The Twin Towers embrace one last time before their demise.
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
The Twin Towers embrace one last time before their demise.
The Last Embrace
Designed and Conceived by Diego Salazar
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
The Twin Towers embrace one last time before their demise.
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
The Twin Towers embrace one last time before their demise.
The Last Embrace
Designed and Conceived by Diego Salazar
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
The Twin Towers embrace one last time before their demise.
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
The Twin Towers embrace one last time before their demise.
The Last Embrace
Designed and Conceived by Diego Salazar
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
The Twin Towers embrace one last time before their demise.
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
The Twin Towers embrace one last time before their demise.
The Last Embrace
Designed and Conceived by Diego Salazar
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
The Twin Towers embrace one last time before their demise.
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
The Twin Towers embrace one last time before their demise.
The Last Embrace
Designed and Conceived by Diego Salazar
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
The Twin Towers embrace one last time before their demise.
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
The Twin Towers embrace one last time before their demise.
The Last Embrace
Designed and Conceived by Diego Salazar
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
The Twin Towers embrace one last time before their demise.
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
The Twin Towers embrace one last time before their demise.
The Last Embrace
Designed and Conceived by Diego Salazar
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
The Twin Towers embrace one last time before their demise.
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
The Twin Towers embrace one last time before their demise.
The Last Embrace
Designed and Conceived by Diego Salazar
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
The Twin Towers embrace one last time before their demise.
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
The Twin Towers embrace one last time before their demise.
The Last Embrace
Designed and Conceived by Diego Salazar
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
The Twin Towers embrace one last time before their demise.
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
The Twin Towers embrace one last time before their demise.
Sex Piece
Envisioned by Diego Salazar
Interpreted & Fabricated by Leopoldo Garcia Aguilar
Everyone has their needs.
Interpreted & Fabricated by Leopoldo Garcia Aguilar
Everyone has their needs.
Sex Piece
Envisioned by Diego Salazar
Interpreted & Fabricated by Leopoldo Garcia Aguilar
Everyone has their needs.
Interpreted & Fabricated by Leopoldo Garcia Aguilar
Everyone has their needs.
Sex Piece
Envisioned by Diego Salazar
Interpreted & Fabricated by Leopoldo Garcia Aguilar
Everyone has their needs.
Interpreted & Fabricated by Leopoldo Garcia Aguilar
Everyone has their needs.
Sex Piece
Envisioned by Diego Salazar
Interpreted & Fabricated by Leopoldo Garcia Aguilar
Everyone has their needs.
Interpreted & Fabricated by Leopoldo Garcia Aguilar
Everyone has their needs.
Sex
Envisioned by Diego Salazar
Interpreted & Fabricated by Leopoldo Garcia Aguilar
Everyone has their needs.
Interpreted & Fabricated by Leopoldo Garcia Aguilar
Everyone has their needs.
Sex
Envisioned by Diego Salazar
Interpreted & Fabricated by Leopoldo Garcia Aguilar
Everyone has their needs.
Interpreted & Fabricated by Leopoldo Garcia Aguilar
Everyone has their needs.
Guggenheim Alebrije
Designed & Fabricated by Enrique Fabian Ortega
Based on titans concept by Diego Salazar
Hand-carved & Hand-painted copal wood
The Guggenheim as a wild creature.
Based on titans concept by Diego Salazar
Hand-carved & Hand-painted copal wood
The Guggenheim as a wild creature.
Guggenheim Alebrije
Designed & Fabricated by Enrique Fabian Ortega
Based on titans concept by Diego Salazar
Hand-carved & Hand-painted copal wood
The Guggenheim as a wild creature.
Based on titans concept by Diego Salazar
Hand-carved & Hand-painted copal wood
The Guggenheim as a wild creature.
Guggenheim Alebrije
Designed & Fabricated by Enrique Fabian Ortega
Based on titans concept by Diego Salazar
Hand-carved & Hand-painted copal wood
The Guggenheim as a wild creature.
Based on titans concept by Diego Salazar
Hand-carved & Hand-painted copal wood
The Guggenheim as a wild creature.
Guggenheim Alebrije
Designed & Fabricated by Enrique Fabian Ortega
Based on titans concept by Diego Salazar
Hand-carved & Hand-painted copal wood
The Guggenheim as a wild creature.
Based on titans concept by Diego Salazar
Hand-carved & Hand-painted copal wood
The Guggenheim as a wild creature.
Guggenheim Alebrije
Designed & Fabricated by Enrique Fabian Ortega
Based on titans concept by Diego Salazar
Hand-carved & Hand-painted copal wood
The Guggenheim as a wild creature.
Based on titans concept by Diego Salazar
Hand-carved & Hand-painted copal wood
The Guggenheim as a wild creature.
Guggenheim Alebrije
Designed & Fabricated by Enrique Fabian Ortega
Based on titans concept by Diego Salazar
Hand-carved & Hand-painted copal wood
The Guggenheim as a wild creature.
Based on titans concept by Diego Salazar
Hand-carved & Hand-painted copal wood
The Guggenheim as a wild creature.
Guggenheim Alebrije
Designed & Fabricated by Enrique Fabian Ortega
Based on titans concept by Diego Salazar
Hand-carved & Hand-painted copal wood
The Guggenheim as a wild creature.
Based on titans concept by Diego Salazar
Hand-carved & Hand-painted copal wood
The Guggenheim as a wild creature.
Guggenheim Alebrije
Designed & Fabricated by Enrique Fabian Ortega
Based on titans concept by Diego Salazar
Hand-carved & Hand-painted copal wood
The Guggenheim as a wild creature.
Based on titans concept by Diego Salazar
Hand-carved & Hand-painted copal wood
The Guggenheim as a wild creature.
Guggenheim Alebrije
Designed & Fabricated by Enrique Fabian Ortega
Based on titans concept by Diego Salazar
Hand-carved & Hand-painted copal wood
The Guggenheim as a wild creature.
Based on titans concept by Diego Salazar
Hand-carved & Hand-painted copal wood
The Guggenheim as a wild creature.
Guggenheim Alebrije
Designed & Fabricated by Enrique Fabian Ortega
Based on titans concept by Diego Salazar
Hand-carved & Hand-painted copal wood
The Guggenheim as a wild creature.
Based on titans concept by Diego Salazar
Hand-carved & Hand-painted copal wood
The Guggenheim as a wild creature.
Guggenheim Alebrije
Designed & Fabricated by Enrique Fabian Ortega
Based on titans concept by Diego Salazar
Hand-carved & Hand-painted copal wood
The Guggenheim as a wild creature.
Based on titans concept by Diego Salazar
Hand-carved & Hand-painted copal wood
The Guggenheim as a wild creature.
Guggenheim Alebrije
Designed & Fabricated by Enrique Fabian Ortega
Based on titans concept by Diego Salazar
Hand-carved & Hand-painted copal wood
The Guggenheim as a wild creature.
Based on titans concept by Diego Salazar
Hand-carved & Hand-painted copal wood
The Guggenheim as a wild creature.
Guggenheim Alebrije
Designed & Fabricated by Enrique Fabian Ortega
Based on titans concept by Diego Salazar
Hand-carved & Hand-painted copal wood
The Guggenheim as a wild creature.
Based on titans concept by Diego Salazar
Hand-carved & Hand-painted copal wood
The Guggenheim as a wild creature.
Guggenheim Alebrije
Designed & Fabricated by Enrique Fabian Ortega
Based on titans concept by Diego Salazar
Hand-carved & Hand-painted copal wood
The Guggenheim as a wild creature.
Based on titans concept by Diego Salazar
Hand-carved & Hand-painted copal wood
The Guggenheim as a wild creature.
Guggenheim Alebrije
Designed & Fabricated by Enrique Fabian Ortega
Based on titans concept by Diego Salazar
Hand-carved & Hand-painted copal wood
The Guggenheim as a wild creature.
Based on titans concept by Diego Salazar
Hand-carved & Hand-painted copal wood
The Guggenheim as a wild creature.
Guggenheim Alebrije
Designed & Fabricated by Enrique Fabian Ortega
Based on titans concept by Diego Salazar
Hand-carved & Hand-painted copal wood
The Guggenheim as a wild creature.
Based on titans concept by Diego Salazar
Hand-carved & Hand-painted copal wood
The Guggenheim as a wild creature.
Guggenheim Alebrije
Designed & Fabricated by Enrique Fabian Ortega
Based on titans concept by Diego Salazar
Hand-carved & Hand-painted copal wood
The Guggenheim as a wild creature.
Based on titans concept by Diego Salazar
Hand-carved & Hand-painted copal wood
The Guggenheim as a wild creature.
Guggenheim Alebrije
Designed & Fabricated by Enrique Fabian Ortega
Based on titans concept by Diego Salazar
Hand-carved & Hand-painted copal wood
The Guggenheim as a wild creature.
Based on titans concept by Diego Salazar
Hand-carved & Hand-painted copal wood
The Guggenheim as a wild creature.
Guggenheim Alebrije
Designed & Fabricated by Enrique Fabian Ortega
Based on titans concept by Diego Salazar
Hand-carved & Hand-painted copal wood
The Guggenheim as a wild creature.
Based on titans concept by Diego Salazar
Hand-carved & Hand-painted copal wood
The Guggenheim as a wild creature.
Guggenheim Alebrije
Designed & Fabricated by Enrique Fabian Ortega
Based on titans concept by Diego Salazar
Hand-carved & Hand-painted copal wood
The Guggenheim as a wild creature.
Based on titans concept by Diego Salazar
Hand-carved & Hand-painted copal wood
The Guggenheim as a wild creature.
Guggenheim Alebrije
Designed & Fabricated by Enrique Fabian Ortega
Based on titans concept by Diego Salazar
Hand-carved & Hand-painted copal wood
The Guggenheim as a wild creature.
Based on titans concept by Diego Salazar
Hand-carved & Hand-painted copal wood
The Guggenheim as a wild creature.
Guggenheim Alebrije
Designed & Fabricated by Enrique Fabian Ortega
Based on titans concept by Diego Salazar
Hand-carved & Hand-painted copal wood
The Guggenheim as a wild creature.
Based on titans concept by Diego Salazar
Hand-carved & Hand-painted copal wood
The Guggenheim as a wild creature.
Guggenheim Alebrije
Designed & Fabricated by Enrique Fabian Ortega
Based on titans concept by Diego Salazar
Hand-carved & Hand-painted copal wood
The Guggenheim as a wild creature.
Based on titans concept by Diego Salazar
Hand-carved & Hand-painted copal wood
The Guggenheim as a wild creature.
Guggenheim Alebrije
Designed & Fabricated by Enrique Fabian Ortega
Based on titans concept by Diego Salazar
Hand-carved & Hand-painted copal wood
The Guggenheim as a wild creature.
Based on titans concept by Diego Salazar
Hand-carved & Hand-painted copal wood
The Guggenheim as a wild creature.
Guggenheim Alebrije
Designed & Fabricated by Enrique Fabian Ortega
Based on titans concept by Diego Salazar
Hand-carved & Hand-painted copal wood
The Guggenheim as a wild creature.
Based on titans concept by Diego Salazar
Hand-carved & Hand-painted copal wood
The Guggenheim as a wild creature.
Guggenheim Alebrije
Designed & Fabricated by Enrique Fabian Ortega
Based on titans concept by Diego Salazar
Hand-carved & Hand-painted copal wood
The Guggenheim as a wild creature.
Based on titans concept by Diego Salazar
Hand-carved & Hand-painted copal wood
The Guggenheim as a wild creature.
Guggenheim Alebrije
Designed & Fabricated by Enrique Fabian Ortega
Based on titans concept by Diego Salazar
Hand-carved & Hand-painted copal wood
The Guggenheim as a wild creature.
Based on titans concept by Diego Salazar
Hand-carved & Hand-painted copal wood
The Guggenheim as a wild creature.
Guggenheim Alebrije
Designed & Fabricated by Enrique Fabian Ortega
Based on titans concept by Diego Salazar
Hand-carved & Hand-painted copal wood
The Guggenheim as a wild creature.
Based on titans concept by Diego Salazar
Hand-carved & Hand-painted copal wood
The Guggenheim as a wild creature.
Guggenheim Alebrije
Designed & Fabricated by Enrique Fabian Ortega
Based on titans concept by Diego Salazar
Hand-carved & Hand-painted copal wood
The Guggenheim as a wild creature.
Based on titans concept by Diego Salazar
Hand-carved & Hand-painted copal wood
The Guggenheim as a wild creature.
Guggenheim Alebrije
Designed & Fabricated by Enrique Fabian Ortega
Based on titans concept by Diego Salazar
Hand-carved & Hand-painted copal wood
The Guggenheim as a wild creature.
Based on titans concept by Diego Salazar
Hand-carved & Hand-painted copal wood
The Guggenheim as a wild creature.
Municipal Man
Designed and Conceived by Diego Salazar
Interpreted and Fabricated by Lorenzo Demetrio Garcia Aguilar
Polychromed Ceramic, 2021
A 3-D Interpretation of Diego's "Roman Vacation." Demetrio worked off the original drawing with full freedom to do as he wished. This was the result.
Interpreted and Fabricated by Lorenzo Demetrio Garcia Aguilar
Polychromed Ceramic, 2021
A 3-D Interpretation of Diego's "Roman Vacation." Demetrio worked off the original drawing with full freedom to do as he wished. This was the result.
Municipal Man
Designed and Conceived by Diego Salazar
Interpreted and Fabricated by Lorenzo Demetrio Garcia Aguilar
Polychromed Ceramic, 2021
A 3-D Interpretation of Diego's "Roman Vacation." Demetrio worked off the original drawing with full freedom to do as he wished. This was the result.
Interpreted and Fabricated by Lorenzo Demetrio Garcia Aguilar
Polychromed Ceramic, 2021
A 3-D Interpretation of Diego's "Roman Vacation." Demetrio worked off the original drawing with full freedom to do as he wished. This was the result.
Municipal Man
Designed and Conceived by Diego Salazar
Interpreted and Fabricated by Lorenzo Demetrio Garcia Aguilar
Polychromed Ceramic, 2021
A 3-D Interpretation of Diego's "Roman Vacation." Demetrio worked off the original drawing with full freedom to do as he wished. This was the result.
Interpreted and Fabricated by Lorenzo Demetrio Garcia Aguilar
Polychromed Ceramic, 2021
A 3-D Interpretation of Diego's "Roman Vacation." Demetrio worked off the original drawing with full freedom to do as he wished. This was the result.
Municipal Man
Designed and Conceived by Diego Salazar
Interpreted and Fabricated by Lorenzo Demetrio Garcia Aguilar
Polychromed Ceramic, 2021
A 3-D Interpretation of Diego's "Roman Vacation." Demetrio worked off the original drawing with full freedom to do as he wished. This was the result.
Interpreted and Fabricated by Lorenzo Demetrio Garcia Aguilar
Polychromed Ceramic, 2021
A 3-D Interpretation of Diego's "Roman Vacation." Demetrio worked off the original drawing with full freedom to do as he wished. This was the result.
Municipal Man
Designed and Conceived by Diego Salazar
Interpreted and Fabricated by Lorenzo Demetrio Garcia Aguilar
Polychromed Ceramic, 2021
A 3-D Interpretation of Diego's "Roman Vacation." Demetrio worked off the original drawing with full freedom to do as he wished. This was the result.
Interpreted and Fabricated by Lorenzo Demetrio Garcia Aguilar
Polychromed Ceramic, 2021
A 3-D Interpretation of Diego's "Roman Vacation." Demetrio worked off the original drawing with full freedom to do as he wished. This was the result.
Municipal Man
Designed and Conceived by Diego Salazar
Interpreted and Fabricated by Lorenzo Demetrio Garcia Aguilar
Polychromed Ceramic, 2021
A 3-D Interpretation of Diego's "Roman Vacation." Demetrio worked off the original drawing with full freedom to do as he wished. This was the result.
Interpreted and Fabricated by Lorenzo Demetrio Garcia Aguilar
Polychromed Ceramic, 2021
A 3-D Interpretation of Diego's "Roman Vacation." Demetrio worked off the original drawing with full freedom to do as he wished. This was the result.
Municipal Man
Designed and Conceived by Diego Salazar
Interpreted and Fabricated by Lorenzo Demetrio Garcia Aguilar
Polychromed Ceramic, 2021
A 3-D Interpretation of Diego's "Roman Vacation." Demetrio worked off the original drawing with full freedom to do as he wished. This was the result.
Interpreted and Fabricated by Lorenzo Demetrio Garcia Aguilar
Polychromed Ceramic, 2021
A 3-D Interpretation of Diego's "Roman Vacation." Demetrio worked off the original drawing with full freedom to do as he wished. This was the result.
Municipal Man
Designed and Conceived by Diego Salazar
Interpreted and Fabricated by Lorenzo Demetrio Garcia Aguilar
Polychromed Ceramic, 2021
A 3-D Interpretation of Diego's "Roman Vacation." Demetrio worked off the original drawing with full freedom to do as he wished. This was the result.
Interpreted and Fabricated by Lorenzo Demetrio Garcia Aguilar
Polychromed Ceramic, 2021
A 3-D Interpretation of Diego's "Roman Vacation." Demetrio worked off the original drawing with full freedom to do as he wished. This was the result.
Municipal Man
Designed and Conceived by Diego Salazar
Interpreted and Fabricated by Lorenzo Demetrio Garcia Aguilar
Polychromed Ceramic, 2021
A 3-D Interpretation of Diego's "Roman Vacation." Demetrio worked off the original drawing with full freedom to do as he wished. This was the result.
Interpreted and Fabricated by Lorenzo Demetrio Garcia Aguilar
Polychromed Ceramic, 2021
A 3-D Interpretation of Diego's "Roman Vacation." Demetrio worked off the original drawing with full freedom to do as he wished. This was the result.
Municipal Man
Designed and Conceived by Diego Salazar
Interpreted and Fabricated by Lorenzo Demetrio Garcia Aguilar
Polychromed Ceramic, 2021
A 3-D Interpretation of Diego's "Roman Vacation." Demetrio worked off the original drawing with full freedom to do as he wished. This was the result.
Interpreted and Fabricated by Lorenzo Demetrio Garcia Aguilar
Polychromed Ceramic, 2021
A 3-D Interpretation of Diego's "Roman Vacation." Demetrio worked off the original drawing with full freedom to do as he wished. This was the result.
Municipal Man
Designed and Conceived by Diego Salazar
Interpreted and Fabricated by Lorenzo Demetrio Garcia Aguilar
Polychromed Ceramic, 2021
A 3-D Interpretation of Diego's "Roman Vacation." Demetrio worked off the original drawing with full freedom to do as he wished. This was the result.
Interpreted and Fabricated by Lorenzo Demetrio Garcia Aguilar
Polychromed Ceramic, 2021
A 3-D Interpretation of Diego's "Roman Vacation." Demetrio worked off the original drawing with full freedom to do as he wished. This was the result.
Municipal Man
Designed and Conceived by Diego Salazar
Interpreted and Fabricated by Lorenzo Demetrio Garcia Aguilar
Polychromed Ceramic, 2021
A 3-D Interpretation of Diego's "Roman Vacation." Demetrio worked off the original drawing with full freedom to do as he wished. This was the result.
Interpreted and Fabricated by Lorenzo Demetrio Garcia Aguilar
Polychromed Ceramic, 2021
A 3-D Interpretation of Diego's "Roman Vacation." Demetrio worked off the original drawing with full freedom to do as he wished. This was the result.
Municipal Man
Designed and Conceived by Diego Salazar
Interpreted and Fabricated by Lorenzo Demetrio Garcia Aguilar
Polychromed Ceramic, 2021
A 3-D Interpretation of Diego's "Roman Vacation." Demetrio worked off the original drawing with full freedom to do as he wished. This was the result.
Interpreted and Fabricated by Lorenzo Demetrio Garcia Aguilar
Polychromed Ceramic, 2021
A 3-D Interpretation of Diego's "Roman Vacation." Demetrio worked off the original drawing with full freedom to do as he wished. This was the result.
Municipal Man
Designed and Conceived by Diego Salazar
Interpreted and Fabricated by Lorenzo Demetrio Garcia Aguilar
Polychromed Ceramic, 2021
A 3-D Interpretation of Diego's "Roman Vacation." Demetrio worked off the original drawing with full freedom to do as he wished. This was the result.
Interpreted and Fabricated by Lorenzo Demetrio Garcia Aguilar
Polychromed Ceramic, 2021
A 3-D Interpretation of Diego's "Roman Vacation." Demetrio worked off the original drawing with full freedom to do as he wished. This was the result.
Municipal Man
Designed and Conceived by Diego Salazar
Interpreted and Fabricated by Lorenzo Demetrio Garcia Aguilar
Polychromed Ceramic, 2021
A 3-D Interpretation of Diego's "Roman Vacation." Demetrio worked off the original drawing with full freedom to do as he wished. This was the result.
Interpreted and Fabricated by Lorenzo Demetrio Garcia Aguilar
Polychromed Ceramic, 2021
A 3-D Interpretation of Diego's "Roman Vacation." Demetrio worked off the original drawing with full freedom to do as he wished. This was the result.
Municipal Man
Designed and Conceived by Diego Salazar
Interpreted and Fabricated by Lorenzo Demetrio Garcia Aguilar
Polychromed Ceramic, 2021
A 3-D Interpretation of Diego's "Roman Vacation." Demetrio worked off the original drawing with full freedom to do as he wished. This was the result.
Interpreted and Fabricated by Lorenzo Demetrio Garcia Aguilar
Polychromed Ceramic, 2021
A 3-D Interpretation of Diego's "Roman Vacation." Demetrio worked off the original drawing with full freedom to do as he wished. This was the result.
Municipal Man
Designed and Conceived by Diego Salazar
Interpreted and Fabricated by Lorenzo Demetrio Garcia Aguilar
Polychromed Ceramic, 2021
A 3-D Interpretation of Diego's "Roman Vacation." Demetrio worked off the original drawing with full freedom to do as he wished. This was the result.
Interpreted and Fabricated by Lorenzo Demetrio Garcia Aguilar
Polychromed Ceramic, 2021
A 3-D Interpretation of Diego's "Roman Vacation." Demetrio worked off the original drawing with full freedom to do as he wished. This was the result.
Municipal Man
Designed and Conceived by Diego Salazar
Interpreted and Fabricated by Lorenzo Demetrio Garcia Aguilar
Polychromed Ceramic, 2021
A 3-D Interpretation of Diego's "Roman Vacation." Demetrio worked off the original drawing with full freedom to do as he wished. This was the result.
Interpreted and Fabricated by Lorenzo Demetrio Garcia Aguilar
Polychromed Ceramic, 2021
A 3-D Interpretation of Diego's "Roman Vacation." Demetrio worked off the original drawing with full freedom to do as he wished. This was the result.
Municipal Man
Designed and Conceived by Diego Salazar
Interpreted and Fabricated by Lorenzo Demetrio Garcia Aguilar
Polychromed Ceramic, 2021
A 3-D Interpretation of Diego's "Roman Vacation." Demetrio worked off the original drawing with full freedom to do as he wished. This was the result.
Interpreted and Fabricated by Lorenzo Demetrio Garcia Aguilar
Polychromed Ceramic, 2021
A 3-D Interpretation of Diego's "Roman Vacation." Demetrio worked off the original drawing with full freedom to do as he wished. This was the result.
Municipal Man
Designed and Conceived by Diego Salazar
Interpreted and Fabricated by Lorenzo Demetrio Garcia Aguilar
Polychromed Ceramic, 2021
A 3-D Interpretation of Diego's "Roman Vacation." Demetrio worked off the original drawing with full freedom to do as he wished. This was the result.
Interpreted and Fabricated by Lorenzo Demetrio Garcia Aguilar
Polychromed Ceramic, 2021
A 3-D Interpretation of Diego's "Roman Vacation." Demetrio worked off the original drawing with full freedom to do as he wished. This was the result.
Municipal Man
Designed and Conceived by Diego Salazar
Interpreted and Fabricated by Lorenzo Demetrio Garcia Aguilar
Polychromed Ceramic, 2021
A 3-D Interpretation of Diego's "Roman Vacation." Demetrio worked off the original drawing with full freedom to do as he wished. This was the result.
Interpreted and Fabricated by Lorenzo Demetrio Garcia Aguilar
Polychromed Ceramic, 2021
A 3-D Interpretation of Diego's "Roman Vacation." Demetrio worked off the original drawing with full freedom to do as he wished. This was the result.
Municipal Man
Designed and Conceived by Diego Salazar
Interpreted and Fabricated by Lorenzo Demetrio Garcia Aguilar
Polychromed Ceramic, 2021
A 3-D Interpretation of Diego's "Roman Vacation." Demetrio worked off the original drawing with full freedom to do as he wished. This was the result.
Interpreted and Fabricated by Lorenzo Demetrio Garcia Aguilar
Polychromed Ceramic, 2021
A 3-D Interpretation of Diego's "Roman Vacation." Demetrio worked off the original drawing with full freedom to do as he wished. This was the result.
Municipal Man
Designed and Conceived by Diego Salazar
Interpreted and Fabricated by Lorenzo Demetrio Garcia Aguilar
Polychromed Ceramic, 2021
A 3-D Interpretation of Diego's "Roman Vacation." Demetrio worked off the original drawing with full freedom to do as he wished. This was the result.
Interpreted and Fabricated by Lorenzo Demetrio Garcia Aguilar
Polychromed Ceramic, 2021
A 3-D Interpretation of Diego's "Roman Vacation." Demetrio worked off the original drawing with full freedom to do as he wished. This was the result.
Municipal Man
Designed and Conceived by Diego Salazar
Interpreted and Fabricated by Lorenzo Demetrio Garcia Aguilar
Polychromed Ceramic, 2021
A 3-D Interpretation of Diego's "Roman Vacation." Demetrio worked off the original drawing with full freedom to do as he wished. This was the result.
Interpreted and Fabricated by Lorenzo Demetrio Garcia Aguilar
Polychromed Ceramic, 2021
A 3-D Interpretation of Diego's "Roman Vacation." Demetrio worked off the original drawing with full freedom to do as he wished. This was the result.
Municipal Man
Designed and Conceived by Diego Salazar
Interpreted and Fabricated by Lorenzo Demetrio Garcia Aguilar
Polychromed Ceramic, 2021
A 3-D Interpretation of Diego's "Roman Vacation." Demetrio worked off the original drawing with full freedom to do as he wished. This was the result.
Interpreted and Fabricated by Lorenzo Demetrio Garcia Aguilar
Polychromed Ceramic, 2021
A 3-D Interpretation of Diego's "Roman Vacation." Demetrio worked off the original drawing with full freedom to do as he wished. This was the result.
Municipal Man
Designed and Conceived by Diego Salazar
Interpreted and Fabricated by Lorenzo Demetrio Garcia Aguilar
Polychromed Ceramic, 2021
A 3-D Interpretation of Diego's "Roman Vacation." Demetrio worked off the original drawing with full freedom to do as he wished. This was the result.
Interpreted and Fabricated by Lorenzo Demetrio Garcia Aguilar
Polychromed Ceramic, 2021
A 3-D Interpretation of Diego's "Roman Vacation." Demetrio worked off the original drawing with full freedom to do as he wished. This was the result.
Municipal Man
Designed and Conceived by Diego Salazar
Interpreted and Fabricated by Lorenzo Demetrio Garcia Aguilar
Polychromed Ceramic, 2021
A 3-D Interpretation of Diego's "Roman Vacation." Demetrio worked off the original drawing with full freedom to do as he wished. This was the result.
Interpreted and Fabricated by Lorenzo Demetrio Garcia Aguilar
Polychromed Ceramic, 2021
A 3-D Interpretation of Diego's "Roman Vacation." Demetrio worked off the original drawing with full freedom to do as he wished. This was the result.
Municipal Man
Designed and Conceived by Diego Salazar
Interpreted and Fabricated by Lorenzo Demetrio Garcia Aguilar
Polychromed Ceramic, 2021
A 3-D Interpretation of Diego's "Roman Vacation." Demetrio worked off the original drawing with full freedom to do as he wished. This was the result.
Interpreted and Fabricated by Lorenzo Demetrio Garcia Aguilar
Polychromed Ceramic, 2021
A 3-D Interpretation of Diego's "Roman Vacation." Demetrio worked off the original drawing with full freedom to do as he wished. This was the result.
Municipal Man
Designed and Conceived by Diego Salazar
Interpreted and Fabricated by Lorenzo Demetrio Garcia Aguilar
Polychromed Ceramic, 2021
A 3-D Interpretation of Diego's "Roman Vacation." Demetrio worked off the original drawing with full freedom to do as he wished. This was the result.
Interpreted and Fabricated by Lorenzo Demetrio Garcia Aguilar
Polychromed Ceramic, 2021
A 3-D Interpretation of Diego's "Roman Vacation." Demetrio worked off the original drawing with full freedom to do as he wished. This was the result.
Municipal Man
Designed and Conceived by Diego Salazar
Interpreted and Fabricated by Lorenzo Demetrio Garcia Aguilar
Polychromed Ceramic, 2021
A 3-D Interpretation of Diego's "Roman Vacation." Demetrio worked off the original drawing with full freedom to do as he wished. This was the result.
Interpreted and Fabricated by Lorenzo Demetrio Garcia Aguilar
Polychromed Ceramic, 2021
A 3-D Interpretation of Diego's "Roman Vacation." Demetrio worked off the original drawing with full freedom to do as he wished. This was the result.
Manhattan, the Ship
Conceived and Commissioned by Diego Salazar
Interpreted & Fabricated by Alfonso Canseco Peligro
Common Reed and Forget-Me-Not Flowers
Manhattan as a ship.
Interpreted & Fabricated by Alfonso Canseco Peligro
Common Reed and Forget-Me-Not Flowers
Manhattan as a ship.
Manhattan, the Ship
Conceived and Commissioned by Diego Salazar
Interpreted & Fabricated by Alfonso Canseco Peligro
Common Reed and Forget-Me-Not Flowers
Manhattan as a ship.
Interpreted & Fabricated by Alfonso Canseco Peligro
Common Reed and Forget-Me-Not Flowers
Manhattan as a ship.
Manhattan, the Ship
Conceived and Commissioned by Diego Salazar
Interpreted & Fabricated by Alfonso Canseco Peligro
Common Reed and Forget-Me-Not Flowers
Manhattan as a ship.
Interpreted & Fabricated by Alfonso Canseco Peligro
Common Reed and Forget-Me-Not Flowers
Manhattan as a ship.
Manhattan, the Ship
Conceived and Commissioned by Diego Salazar
Interpreted & Fabricated by Alfonso Canseco Peligro
Common Reed and Forget-Me-Not Flowers
Manhattan as a ship.
Interpreted & Fabricated by Alfonso Canseco Peligro
Common Reed and Forget-Me-Not Flowers
Manhattan as a ship.
Manhattan, the Ship
Conceived and Commissioned by Rombo (b. 1993)
Interpreted & Fabricated by Alfonso Canseco Peligro (b. 1985)
Common Reed and Forget-Me-Not Flowers
Made in San Antonino Castillo Velasco, Oaxaca, Mexico
Interpreted & Fabricated by Alfonso Canseco Peligro (b. 1985)
Common Reed and Forget-Me-Not Flowers
Made in San Antonino Castillo Velasco, Oaxaca, Mexico
Manhattan, the Ship
Conceived and Commissioned by Diego Salazar
Interpreted & Fabricated by Alfonso Canseco Peligro
Common Reed and Forget-Me-Not Flowers
Manhattan as a ship.
Interpreted & Fabricated by Alfonso Canseco Peligro
Common Reed and Forget-Me-Not Flowers
Manhattan as a ship.
Manhattan, the Ship
Conceived and Commissioned by Diego Salazar
Interpreted & Fabricated by Alfonso Canseco Peligro
Common Reed and Forget-Me-Not Flowers
Manhattan as a ship.
Interpreted & Fabricated by Alfonso Canseco Peligro
Common Reed and Forget-Me-Not Flowers
Manhattan as a ship.
Manhattan, the Ship
Conceived and Commissioned by Diego Salazar
Interpreted & Fabricated by Alfonso Canseco Peligro
Common Reed and Forget-Me-Not Flowers
Manhattan as a ship.
Interpreted & Fabricated by Alfonso Canseco Peligro
Common Reed and Forget-Me-Not Flowers
Manhattan as a ship.
Manhattan, the Ship
Conceived and Commissioned by Diego Salazar
Interpreted & Fabricated by Alfonso Canseco Peligro
Common Reed and Forget-Me-Not Flowers
Manhattan as a ship.
Interpreted & Fabricated by Alfonso Canseco Peligro
Common Reed and Forget-Me-Not Flowers
Manhattan as a ship.
Manhattan, the Ship
Conceived and Commissioned by Rombo (b. 1993)
Interpreted & Fabricated by Alfonso Canseco Peligro (b. 1985)
Common Reed and Forget-Me-Not Flowers
Made in San Antonino Castillo Velasco, Oaxaca, Mexico
Interpreted & Fabricated by Alfonso Canseco Peligro (b. 1985)
Common Reed and Forget-Me-Not Flowers
Made in San Antonino Castillo Velasco, Oaxaca, Mexico
Manhattan, the Ship
Conceived and Commissioned by Diego Salazar
Interpreted & Fabricated by Alfonso Canseco Peligro
Common Reed and Forget-Me-Not Flowers
Manhattan as a ship.
Interpreted & Fabricated by Alfonso Canseco Peligro
Common Reed and Forget-Me-Not Flowers
Manhattan as a ship.
Manhattan, the Ship
Conceived and Commissioned by Diego Salazar
Interpreted & Fabricated by Alfonso Canseco Peligro
Common Reed and Forget-Me-Not Flowers
Manhattan as a ship.
Interpreted & Fabricated by Alfonso Canseco Peligro
Common Reed and Forget-Me-Not Flowers
Manhattan as a ship.
Manhattan, the Ship
Conceived and Commissioned by Diego Salazar
Interpreted & Fabricated by Alfonso Canseco Peligro
Common Reed and Forget-Me-Not Flowers
Manhattan as a ship.
Interpreted & Fabricated by Alfonso Canseco Peligro
Common Reed and Forget-Me-Not Flowers
Manhattan as a ship.
Manhattan, the Ship
Conceived and Commissioned by Diego Salazar
Interpreted & Fabricated by Alfonso Canseco Peligro
Common Reed and Forget-Me-Not Flowers
Manhattan as a ship.
Interpreted & Fabricated by Alfonso Canseco Peligro
Common Reed and Forget-Me-Not Flowers
Manhattan as a ship.
Manhattan, the Ship
Conceived and Commissioned by Rombo (b. 1993)
Interpreted & Fabricated by Alfonso Canseco Peligro (b. 1985)
Common Reed and Forget-Me-Not Flowers
Made in San Antonino Castillo Velasco, Oaxaca, Mexico
Interpreted & Fabricated by Alfonso Canseco Peligro (b. 1985)
Common Reed and Forget-Me-Not Flowers
Made in San Antonino Castillo Velasco, Oaxaca, Mexico
Manhattan, the Ship
Conceived and Commissioned by Diego Salazar
Interpreted & Fabricated by Alfonso Canseco Peligro
Common Reed and Forget-Me-Not Flowers
Manhattan as a ship.
Interpreted & Fabricated by Alfonso Canseco Peligro
Common Reed and Forget-Me-Not Flowers
Manhattan as a ship.
Manhattan, the Ship
Conceived and Commissioned by Diego Salazar
Interpreted & Fabricated by Alfonso Canseco Peligro
Common Reed and Forget-Me-Not Flowers
Manhattan as a ship.
Interpreted & Fabricated by Alfonso Canseco Peligro
Common Reed and Forget-Me-Not Flowers
Manhattan as a ship.
Manhattan, the Ship
Conceived and Commissioned by Diego Salazar
Interpreted & Fabricated by Alfonso Canseco Peligro
Common Reed and Forget-Me-Not Flowers
Manhattan as a ship.
Interpreted & Fabricated by Alfonso Canseco Peligro
Common Reed and Forget-Me-Not Flowers
Manhattan as a ship.
Manhattan, the Ship
Conceived and Commissioned by Diego Salazar
Interpreted & Fabricated by Alfonso Canseco Peligro
Common Reed and Forget-Me-Not Flowers
Manhattan as a ship.
Interpreted & Fabricated by Alfonso Canseco Peligro
Common Reed and Forget-Me-Not Flowers
Manhattan as a ship.
Manhattan, the Ship
Conceived and Commissioned by Rombo (b. 1993)
Interpreted & Fabricated by Alfonso Canseco Peligro (b. 1985)
Common Reed and Forget-Me-Not Flowers
Made in San Antonino Castillo Velasco, Oaxaca, Mexico
Interpreted & Fabricated by Alfonso Canseco Peligro (b. 1985)
Common Reed and Forget-Me-Not Flowers
Made in San Antonino Castillo Velasco, Oaxaca, Mexico
Manhattan, the Ship
Conceived and Commissioned by Diego Salazar
Interpreted & Fabricated by Alfonso Canseco Peligro
Common Reed and Forget-Me-Not Flowers
Manhattan as a ship.
Interpreted & Fabricated by Alfonso Canseco Peligro
Common Reed and Forget-Me-Not Flowers
Manhattan as a ship.
Manhattan, the Ship
Conceived and Commissioned by Diego Salazar
Interpreted & Fabricated by Alfonso Canseco Peligro
Common Reed and Forget-Me-Not Flowers
Manhattan as a ship.
Interpreted & Fabricated by Alfonso Canseco Peligro
Common Reed and Forget-Me-Not Flowers
Manhattan as a ship.
Manhattan, the Ship
Conceived and Commissioned by Diego Salazar
Interpreted & Fabricated by Alfonso Canseco Peligro
Common Reed and Forget-Me-Not Flowers
Manhattan as a ship.
Interpreted & Fabricated by Alfonso Canseco Peligro
Common Reed and Forget-Me-Not Flowers
Manhattan as a ship.
Manhattan, the Ship
Conceived and Commissioned by Diego Salazar
Interpreted & Fabricated by Alfonso Canseco Peligro
Common Reed and Forget-Me-Not Flowers
Manhattan as a ship.
Interpreted & Fabricated by Alfonso Canseco Peligro
Common Reed and Forget-Me-Not Flowers
Manhattan as a ship.
Manhattan, the Ship
Conceived and Commissioned by Rombo (b. 1993)
Interpreted & Fabricated by Alfonso Canseco Peligro (b. 1985)
Common Reed and Forget-Me-Not Flowers
Made in San Antonino Castillo Velasco, Oaxaca, Mexico
Interpreted & Fabricated by Alfonso Canseco Peligro (b. 1985)
Common Reed and Forget-Me-Not Flowers
Made in San Antonino Castillo Velasco, Oaxaca, Mexico
Manhattan, the Ship
Conceived and Commissioned by Diego Salazar
Interpreted & Fabricated by Alfonso Canseco Peligro
Common Reed and Forget-Me-Not Flowers
Manhattan as a ship.
Interpreted & Fabricated by Alfonso Canseco Peligro
Common Reed and Forget-Me-Not Flowers
Manhattan as a ship.
Manhattan, the Ship
Conceived and Commissioned by Diego Salazar
Interpreted & Fabricated by Alfonso Canseco Peligro
Common Reed and Forget-Me-Not Flowers
Manhattan as a ship.
Interpreted & Fabricated by Alfonso Canseco Peligro
Common Reed and Forget-Me-Not Flowers
Manhattan as a ship.
Manhattan, the Ship
Conceived and Commissioned by Diego Salazar
Interpreted & Fabricated by Alfonso Canseco Peligro
Common Reed and Forget-Me-Not Flowers
Manhattan as a ship.
Interpreted & Fabricated by Alfonso Canseco Peligro
Common Reed and Forget-Me-Not Flowers
Manhattan as a ship.
Manhattan, the Ship
Conceived and Commissioned by Diego Salazar
Interpreted & Fabricated by Alfonso Canseco Peligro
Common Reed and Forget-Me-Not Flowers
Manhattan as a ship.
Interpreted & Fabricated by Alfonso Canseco Peligro
Common Reed and Forget-Me-Not Flowers
Manhattan as a ship.
Manhattan, the Ship
Conceived and Commissioned by Rombo (b. 1993)
Interpreted & Fabricated by Alfonso Canseco Peligro (b. 1985)
Common Reed and Forget-Me-Not Flowers
Made in San Antonino Castillo Velasco, Oaxaca, Mexico
Interpreted & Fabricated by Alfonso Canseco Peligro (b. 1985)
Common Reed and Forget-Me-Not Flowers
Made in San Antonino Castillo Velasco, Oaxaca, Mexico
High Tower
Conceived by Diego Salazar
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
Citygroup Center gets high as a kite
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
Citygroup Center gets high as a kite
High Tower
Conceived by Diego Salazar
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
Citygroup Center gets high as a kite
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
Citygroup Center gets high as a kite
High Tower
Conceived by Diego Salazar
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
Citygroup Center gets high as a kite
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
Citygroup Center gets high as a kite
High Tower
Conceived by Diego Salazar
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
Citygroup Center gets high as a kite
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
Citygroup Center gets high as a kite
High Tower
Conceived by Diego Salazar
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
Citygroup Center gets high as a kite
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
Citygroup Center gets high as a kite
High Tower
Conceived by Diego Salazar
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
Citygroup Center gets high as a kite
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
Citygroup Center gets high as a kite
High Tower
Conceived by Diego Salazar
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
Citygroup Center gets high as a kite
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
Citygroup Center gets high as a kite
High Tower
Conceived by Diego Salazar
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
Citygroup Center gets high as a kite
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
Citygroup Center gets high as a kite
High Tower
Conceived by Diego Salazar
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
Citygroup Center gets high as a kite
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
Citygroup Center gets high as a kite
High Tower
Conceived by Diego Salazar
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
Citygroup Center gets high as a kite
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
Citygroup Center gets high as a kite
High Tower
Conceived by Diego Salazar
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
Citygroup Center gets high as a kite
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
Citygroup Center gets high as a kite
High Tower
Conceived by Diego Salazar
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
Citygroup Center gets high as a kite
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
Citygroup Center gets high as a kite
High Tower
Conceived by Diego Salazar
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
Citygroup Center gets high as a kite
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
Citygroup Center gets high as a kite
High Tower
Conceived by Diego Salazar
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
Citygroup Center gets high as a kite
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
Citygroup Center gets high as a kite
High Tower
Conceived by Diego Salazar
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
Citygroup Center gets high as a kite
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
Citygroup Center gets high as a kite
High Tower
Conceived by Diego Salazar
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
Citygroup Center gets high as a kite
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
Citygroup Center gets high as a kite
High Tower
Conceived by Diego Salazar
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
Citygroup Center gets high as a kite
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
Citygroup Center gets high as a kite
High Tower
Conceived by Diego Salazar
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
Citygroup Center gets high as a kite
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
Citygroup Center gets high as a kite
High Tower
Conceived by Diego Salazar
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
Citygroup Center gets high as a kite
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
Citygroup Center gets high as a kite
High Tower
Conceived by Diego Salazar
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
Citygroup Center gets high as a kite
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
Citygroup Center gets high as a kite
High Tower
Conceived by Diego Salazar
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
Citygroup Center gets high as a kite
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
Citygroup Center gets high as a kite
High Tower
Conceived by Diego Salazar
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
Citygroup Center gets high as a kite
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
Citygroup Center gets high as a kite
High Tower
Conceived by Diego Salazar
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
Citygroup Center gets high as a kite
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
Citygroup Center gets high as a kite
High Tower
Conceived by Diego Salazar
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
Citygroup Center gets high as a kite
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
Citygroup Center gets high as a kite
High Tower
Conceived by Diego Salazar
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
Citygroup Center gets high as a kite
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
Citygroup Center gets high as a kite
High Tower
Conceived by Diego Salazar
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
Citygroup Center gets high as a kite
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
Citygroup Center gets high as a kite
High Tower
Conceived by Diego Salazar
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
Citygroup Center gets high as a kite
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
Citygroup Center gets high as a kite
High Tower
Conceived by Diego Salazar
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
Citygroup Center gets high as a kite
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
Citygroup Center gets high as a kite
High Tower
Conceived by Diego Salazar
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
Citygroup Center gets high as a kite
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
Citygroup Center gets high as a kite
High Tower
Conceived by Diego Salazar
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
Citygroup Center gets high as a kite
Interpreted and Fabricated by Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
Citygroup Center gets high as a kite
Urban Vase
Diego Salazar and Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
An ode to ancient Greek vases representing modern city life in New York City.
Red-Clay Ceramic, 2021
An ode to ancient Greek vases representing modern city life in New York City.
Urban Vase
Diego Salazar and Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
An ode to ancient Greek vases representing modern city life in New York City.
Red-Clay Ceramic, 2021
An ode to ancient Greek vases representing modern city life in New York City.
Urban Vase
Diego Salazar and Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
An ode to ancient Greek vases representing modern city life in New York City.
Red-Clay Ceramic, 2021
An ode to ancient Greek vases representing modern city life in New York City.
Urban Vase
Diego Salazar and Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
An ode to ancient Greek vases representing modern city life in New York City.
Red-Clay Ceramic, 2021
An ode to ancient Greek vases representing modern city life in New York City.
Urban Vase
Diego Salazar and Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
An ode to ancient Greek vases representing modern city life in New York City.
Red-Clay Ceramic, 2021
An ode to ancient Greek vases representing modern city life in New York City.
Urban Vase
Diego Salazar and Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
An ode to ancient Greek vases representing modern city life in New York City.
Red-Clay Ceramic, 2021
An ode to ancient Greek vases representing modern city life in New York City.
Urban Vase
Diego Salazar and Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
An ode to ancient Greek vases representing modern city life in New York City.
Red-Clay Ceramic, 2021
An ode to ancient Greek vases representing modern city life in New York City.
Urban Vase
Diego Salazar and Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
An ode to ancient Greek vases representing modern city life in New York City.
Red-Clay Ceramic, 2021
An ode to ancient Greek vases representing modern city life in New York City.
Urban Vase
Diego Salazar and Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
An ode to ancient Greek vases representing modern city life in New York City.
Red-Clay Ceramic, 2021
An ode to ancient Greek vases representing modern city life in New York City.
Urban Vase
Diego Salazar and Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
An ode to ancient Greek vases representing modern city life in New York City.
Red-Clay Ceramic, 2021
An ode to ancient Greek vases representing modern city life in New York City.
Urban Vase
Diego Salazar and Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
An ode to ancient Greek vases representing modern city life in New York City.
Red-Clay Ceramic, 2021
An ode to ancient Greek vases representing modern city life in New York City.
Urban Vase
Diego Salazar and Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
An ode to ancient Greek vases representing modern city life in New York City.
Red-Clay Ceramic, 2021
An ode to ancient Greek vases representing modern city life in New York City.
Urban Vase
Diego Salazar and Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
An ode to ancient Greek vases representing modern city life in New York City.
Red-Clay Ceramic, 2021
An ode to ancient Greek vases representing modern city life in New York City.
Urban Vase
Diego Salazar and Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
An ode to ancient Greek vases representing modern city life in New York City.
Red-Clay Ceramic, 2021
An ode to ancient Greek vases representing modern city life in New York City.
Urban Vase
Diego Salazar and Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
An ode to ancient Greek vases representing modern city life in New York City.
Red-Clay Ceramic, 2021
An ode to ancient Greek vases representing modern city life in New York City.
Urban Vase
Diego Salazar and Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
An ode to ancient Greek vases representing modern city life in New York City.
Red-Clay Ceramic, 2021
An ode to ancient Greek vases representing modern city life in New York City.
Urban Vase
Diego Salazar and Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
An ode to ancient Greek vases representing modern city life in New York City.
Red-Clay Ceramic, 2021
An ode to ancient Greek vases representing modern city life in New York City.
Urban Vase
Diego Salazar and Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
An ode to ancient Greek vases representing modern city life in New York City.
Red-Clay Ceramic, 2021
An ode to ancient Greek vases representing modern city life in New York City.
Urban Vase
Diego Salazar and Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
An ode to ancient Greek vases representing modern city life in New York City.
Red-Clay Ceramic, 2021
An ode to ancient Greek vases representing modern city life in New York City.
Urban Vase
Diego Salazar and Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
An ode to ancient Greek vases representing modern city life in New York City.
Red-Clay Ceramic, 2021
An ode to ancient Greek vases representing modern city life in New York City.
Urban Vase
Diego Salazar and Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
An ode to ancient Greek vases representing modern city life in New York City.
Red-Clay Ceramic, 2021
An ode to ancient Greek vases representing modern city life in New York City.
Urban Vase
Diego Salazar and Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
An ode to ancient Greek vases representing modern city life in New York City.
Red-Clay Ceramic, 2021
An ode to ancient Greek vases representing modern city life in New York City.
Urban Vase
Diego Salazar and Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
An ode to ancient Greek vases representing modern city life in New York City.
Red-Clay Ceramic, 2021
An ode to ancient Greek vases representing modern city life in New York City.
Urban Vase
Diego Salazar and Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
An ode to ancient Greek vases representing modern city life in New York City.
Red-Clay Ceramic, 2021
An ode to ancient Greek vases representing modern city life in New York City.
Urban Vase
Diego Salazar and Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
An ode to ancient Greek vases representing modern city life in New York City.
Red-Clay Ceramic, 2021
An ode to ancient Greek vases representing modern city life in New York City.
Urban Vase
Diego Salazar and Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
An ode to ancient Greek vases representing modern city life in New York City.
Red-Clay Ceramic, 2021
An ode to ancient Greek vases representing modern city life in New York City.
Urban Vase
Diego Salazar and Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
An ode to ancient Greek vases representing modern city life in New York City.
Red-Clay Ceramic, 2021
An ode to ancient Greek vases representing modern city life in New York City.
Urban Vase
Diego Salazar and Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
An ode to ancient Greek vases representing modern city life in New York City.
Red-Clay Ceramic, 2021
An ode to ancient Greek vases representing modern city life in New York City.
Urban Vase
Diego Salazar and Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
An ode to ancient Greek vases representing modern city life in New York City.
Red-Clay Ceramic, 2021
An ode to ancient Greek vases representing modern city life in New York City.
Urban Vase
Diego Salazar and Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
An ode to ancient Greek vases representing modern city life in New York City.
Red-Clay Ceramic, 2021
An ode to ancient Greek vases representing modern city life in New York City.
Urban Vase
Diego Salazar and Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
An ode to ancient Greek vases representing modern city life in New York City.
Red-Clay Ceramic, 2021
An ode to ancient Greek vases representing modern city life in New York City.
Urban Vase
Diego Salazar and Jose Miguel Garcia Mendoza
Red-Clay Ceramic, 2021
An ode to ancient Greek vases representing modern city life in New York City.
Red-Clay Ceramic, 2021
An ode to ancient Greek vases representing modern city life in New York City.
A Piece of Manhattan
Designed and Envisioned by Diego Salazar
Interpreted & Fabricated by Miguel Angel Agüero Pacheco
Nickel Silver Mirror, 2021
A plan of Broadway between 56th and 59th streets and 7th and 8th Avenues. The blocks are mirrors and the edges are upward perspectives of the adjacent buildings.
Interpreted & Fabricated by Miguel Angel Agüero Pacheco
Nickel Silver Mirror, 2021
A plan of Broadway between 56th and 59th streets and 7th and 8th Avenues. The blocks are mirrors and the edges are upward perspectives of the adjacent buildings.
A Piece of Manhattan
Designed and Envisioned by Diego Salazar
Interpreted & Fabricated by Miguel Angel Agüero Pacheco
Nickel Silver Mirror, 2021
A plan of Broadway between 56th and 59th streets and 7th and 8th Avenues. The blocks are mirrors and the edges are upward perspectives of the adjacent buildings.
Interpreted & Fabricated by Miguel Angel Agüero Pacheco
Nickel Silver Mirror, 2021
A plan of Broadway between 56th and 59th streets and 7th and 8th Avenues. The blocks are mirrors and the edges are upward perspectives of the adjacent buildings.
A Piece of Manhattan
Designed and Envisioned by Diego Salazar
Interpreted & Fabricated by Miguel Angel Agüero Pacheco
Nickel Silver Mirror, 2021
A plan of Broadway between 56th and 59th streets and 7th and 8th Avenues. The blocks are mirrors and the edges are upward perspectives of the adjacent buildings.
Interpreted & Fabricated by Miguel Angel Agüero Pacheco
Nickel Silver Mirror, 2021
A plan of Broadway between 56th and 59th streets and 7th and 8th Avenues. The blocks are mirrors and the edges are upward perspectives of the adjacent buildings.
A Piece of Manhattan
Designed and Envisioned by Diego Salazar
Interpreted & Fabricated by Miguel Angel Agüero Pacheco
Nickel Silver Mirror, 2021
A plan of Broadway between 56th and 59th streets and 7th and 8th Avenues. The blocks are mirrors and the edges are upward perspectives of the adjacent buildings.
Interpreted & Fabricated by Miguel Angel Agüero Pacheco
Nickel Silver Mirror, 2021
A plan of Broadway between 56th and 59th streets and 7th and 8th Avenues. The blocks are mirrors and the edges are upward perspectives of the adjacent buildings.
A Piece of Manhattan
Designed and Envisioned by Diego Salazar
Interpreted & Fabricated by Miguel Angel Agüero Pacheco
Nickel Silver Mirror, 2021
A plan of Broadway between 56th and 59th streets and 7th and 8th Avenues. The blocks are mirrors and the edges are upward perspectives of the adjacent buildings.
Interpreted & Fabricated by Miguel Angel Agüero Pacheco
Nickel Silver Mirror, 2021
A plan of Broadway between 56th and 59th streets and 7th and 8th Avenues. The blocks are mirrors and the edges are upward perspectives of the adjacent buildings.
Mr. 26 Broadway
Designed & Envisioned by Diego Salazar
Interpreted & Fabricated by Estela Montaño & the Xi-Guia Workshop
100% Organic Wool Tapestry made with Natural Dyes, 2021
Portrait of Building.
Interpreted & Fabricated by Estela Montaño & the Xi-Guia Workshop
100% Organic Wool Tapestry made with Natural Dyes, 2021
Portrait of Building.
Mr. 26 Broadway
Designed & Envisioned by Diego Salazar
Interpreted & Fabricated by Estela Montaño & the Xi-Guia Workshop
100% Organic Wool Tapestry made with Natural Dyes, 2021
Portrait of a Building.
Interpreted & Fabricated by Estela Montaño & the Xi-Guia Workshop
100% Organic Wool Tapestry made with Natural Dyes, 2021
Portrait of a Building.
The Breuer Cat Alebrije
Designed & Envisioned by Diego Salazar
Interpreted & Fabricated by Enrique Fabian Ortega
The Breur Museum as a winged cat.
Interpreted & Fabricated by Enrique Fabian Ortega
The Breur Museum as a winged cat.
The Breuer Cat Alebrije
Designed & Envisioned by Diego Salazar
Interpreted & Fabricated by Enrique Fabian Ortega
The Breur Museum as a winged cat.
Interpreted & Fabricated by Enrique Fabian Ortega
The Breur Museum as a winged cat.
The Breuer Cat
Designed & Envisioned by Diego Salazar
Interpreted & Fabricated by Enrique Fabian Ortega
The Breur Museum as a winged cat.
Interpreted & Fabricated by Enrique Fabian Ortega
The Breur Museum as a winged cat.
The Breuer Cat Alebrije
Designed & Envisioned by Diego Salazar
Interpreted & Fabricated by Enrique Fabian Ortega
The Breur Museum as a winged cat.
Interpreted & Fabricated by Enrique Fabian Ortega
The Breur Museum as a winged cat.
The Breuer Cat Alebrije
Designed & Envisioned by Diego Salazar
Interpreted & Fabricated by Enrique Fabian Ortega
The Breur Museum as a winged cat.
Interpreted & Fabricated by Enrique Fabian Ortega
The Breur Museum as a winged cat.
The Breuer Cat
Designed & Envisioned by Diego Salazar
Interpreted & Fabricated by Enrique Fabian Ortega
The Breur Museum as a winged cat.
Interpreted & Fabricated by Enrique Fabian Ortega
The Breur Museum as a winged cat.
The Breuer Cat Alebrije
Designed & Envisioned by Diego Salazar
Interpreted & Fabricated by Enrique Fabian Ortega
The Breur Museum as a winged cat.
Interpreted & Fabricated by Enrique Fabian Ortega
The Breur Museum as a winged cat.
The Breuer Cat Alebrije
Designed & Envisioned by Diego Salazar
Interpreted & Fabricated by Enrique Fabian Ortega
The Breur Museum as a winged cat.
Interpreted & Fabricated by Enrique Fabian Ortega
The Breur Museum as a winged cat.
The Breuer Cat
Designed & Envisioned by Diego Salazar
Interpreted & Fabricated by Enrique Fabian Ortega
The Breur Museum as a winged cat.
Interpreted & Fabricated by Enrique Fabian Ortega
The Breur Museum as a winged cat.
The Breuer Cat Alebrije
Designed & Envisioned by Diego Salazar
Interpreted & Fabricated by Enrique Fabian Ortega
The Breur Museum as a winged cat.
Interpreted & Fabricated by Enrique Fabian Ortega
The Breur Museum as a winged cat.
The Breuer Cat Alebrije
Designed & Envisioned by Diego Salazar
Interpreted & Fabricated by Enrique Fabian Ortega
The Breur Museum as a winged cat.
Interpreted & Fabricated by Enrique Fabian Ortega
The Breur Museum as a winged cat.
The Breuer Cat
Designed & Envisioned by Diego Salazar
Interpreted & Fabricated by Enrique Fabian Ortega
The Breur Museum as a winged cat.
Interpreted & Fabricated by Enrique Fabian Ortega
The Breur Museum as a winged cat.
The Breuer Cat Alebrije
Designed & Envisioned by Diego Salazar
Interpreted & Fabricated by Enrique Fabian Ortega
The Breur Museum as a winged cat.
Interpreted & Fabricated by Enrique Fabian Ortega
The Breur Museum as a winged cat.
The Breuer Cat Alebrije
Designed & Envisioned by Diego Salazar
Interpreted & Fabricated by Enrique Fabian Ortega
The Breur Museum as a winged cat.
Interpreted & Fabricated by Enrique Fabian Ortega
The Breur Museum as a winged cat.
The Breuer Cat
Designed & Envisioned by Diego Salazar
Interpreted & Fabricated by Enrique Fabian Ortega
The Breur Museum as a winged cat.
Interpreted & Fabricated by Enrique Fabian Ortega
The Breur Museum as a winged cat.
The Breuer Cat Alebrije
Designed & Envisioned by Diego Salazar
Interpreted & Fabricated by Enrique Fabian Ortega
The Breur Museum as a winged cat.
Interpreted & Fabricated by Enrique Fabian Ortega
The Breur Museum as a winged cat.
The Breuer Cat Alebrije
Designed & Envisioned by Diego Salazar
Interpreted & Fabricated by Enrique Fabian Ortega
The Breur Museum as a winged cat.
Interpreted & Fabricated by Enrique Fabian Ortega
The Breur Museum as a winged cat.
The Breuer Cat
Designed & Envisioned by Diego Salazar
Interpreted & Fabricated by Enrique Fabian Ortega
The Breur Museum as a winged cat.
Interpreted & Fabricated by Enrique Fabian Ortega
The Breur Museum as a winged cat.
The Breuer Cat Alebrije
Designed & Envisioned by Diego Salazar
Interpreted & Fabricated by Enrique Fabian Ortega
The Breur Museum as a winged cat.
Interpreted & Fabricated by Enrique Fabian Ortega
The Breur Museum as a winged cat.
The Breuer Cat Alebrije
Designed & Envisioned by Diego Salazar
Interpreted & Fabricated by Enrique Fabian Ortega
The Breur Museum as a winged cat.
Interpreted & Fabricated by Enrique Fabian Ortega
The Breur Museum as a winged cat.
The Breuer Cat
Designed & Envisioned by Diego Salazar
Interpreted & Fabricated by Enrique Fabian Ortega
The Breur Museum as a winged cat.
Interpreted & Fabricated by Enrique Fabian Ortega
The Breur Museum as a winged cat.
The Breuer Cat Alebrije
Designed & Envisioned by Diego Salazar
Interpreted & Fabricated by Enrique Fabian Ortega
The Breur Museum as a winged cat.
Interpreted & Fabricated by Enrique Fabian Ortega
The Breur Museum as a winged cat.
The Breuer Cat Alebrije
Designed & Envisioned by Diego Salazar
Interpreted & Fabricated by Enrique Fabian Ortega
The Breur Museum as a winged cat.
Interpreted & Fabricated by Enrique Fabian Ortega
The Breur Museum as a winged cat.
The Breuer Cat
Designed & Envisioned by Diego Salazar
Interpreted & Fabricated by Enrique Fabian Ortega
The Breur Museum as a winged cat.
Interpreted & Fabricated by Enrique Fabian Ortega
The Breur Museum as a winged cat.
The Breuer Cat Alebrije
Designed & Envisioned by Diego Salazar
Interpreted & Fabricated by Enrique Fabian Ortega
The Breur Museum as a winged cat.
Interpreted & Fabricated by Enrique Fabian Ortega
The Breur Museum as a winged cat.
The Breuer Cat Alebrije
Designed & Envisioned by Diego Salazar
Interpreted & Fabricated by Enrique Fabian Ortega
The Breur Museum as a winged cat.
Interpreted & Fabricated by Enrique Fabian Ortega
The Breur Museum as a winged cat.
The Breuer Cat
Designed & Envisioned by Diego Salazar
Interpreted & Fabricated by Enrique Fabian Ortega
The Breur Museum as a winged cat.
Interpreted & Fabricated by Enrique Fabian Ortega
The Breur Museum as a winged cat.
The Breuer Cat Alebrije
Designed & Envisioned by Diego Salazar
Interpreted & Fabricated by Enrique Fabian Ortega
The Breur Museum as a winged cat.
Interpreted & Fabricated by Enrique Fabian Ortega
The Breur Museum as a winged cat.
The Breuer Cat Alebrije
Designed & Envisioned by Diego Salazar
Interpreted & Fabricated by Enrique Fabian Ortega
The Breur Museum as a winged cat.
Interpreted & Fabricated by Enrique Fabian Ortega
The Breur Museum as a winged cat.
The Breuer Cat
Designed & Envisioned by Diego Salazar
Interpreted & Fabricated by Enrique Fabian Ortega
The Breur Museum as a winged cat.
Interpreted & Fabricated by Enrique Fabian Ortega
The Breur Museum as a winged cat.
Lady Chrysler & The Quetzalcoatl
Designed and Conceived by Diego Salazar
Interpreted and Fabricated by Christian Mendoza Ruiz
Pedal-Loom Tapestry with Organic Tints, 2021
This piece represents a union of American and Mexican cultures. Featured are Lady Chrysler from NYC entangled in the serpent god, Quetzalcoatl.
Interpreted and Fabricated by Christian Mendoza Ruiz
Pedal-Loom Tapestry with Organic Tints, 2021
This piece represents a union of American and Mexican cultures. Featured are Lady Chrysler from NYC entangled in the serpent god, Quetzalcoatl.
Lady Chrysler & The Quetzalcoatl
Designed and Conceived by Diego Salazar
Interpreted and Fabricated by Christian Mendoza Ruiz
Pedal-Loom Tapestry with Organic Tints, 2021
This piece represents a union of American and Mexican cultures. Featured are Lady Chrysler from NYC entangled in the serpent god, Quetzalcoatl.
Interpreted and Fabricated by Christian Mendoza Ruiz
Pedal-Loom Tapestry with Organic Tints, 2021
This piece represents a union of American and Mexican cultures. Featured are Lady Chrysler from NYC entangled in the serpent god, Quetzalcoatl.
Lady Chrysler & The Quetzalcoatl
Designed and Conceived by Diego Salazar
Interpreted and Fabricated by Christian Mendoza Ruiz
Pedal-Loom Tapestry with Organic Tints, 2021
This piece represents a union of American and Mexican cultures. Featured are Lady Chrysler from NYC entangled in the serpent god, Quetzalcoatl.
Interpreted and Fabricated by Christian Mendoza Ruiz
Pedal-Loom Tapestry with Organic Tints, 2021
This piece represents a union of American and Mexican cultures. Featured are Lady Chrysler from NYC entangled in the serpent god, Quetzalcoatl.
Lady Chrysler & The Quetzalcoatl
Designed and Conceived by Diego Salazar
Interpreted and Fabricated by Christian Mendoza Ruiz
Pedal-Loom Tapestry with Organic Tints, 2021
Diego's intention was to design a piece that represents union of American and Mexican cultures. Featured are Lady Chrysler from NYC entangled in the serpent god, Quetzalcoatl.
Interpreted and Fabricated by Christian Mendoza Ruiz
Pedal-Loom Tapestry with Organic Tints, 2021
Diego's intention was to design a piece that represents union of American and Mexican cultures. Featured are Lady Chrysler from NYC entangled in the serpent god, Quetzalcoatl.
Lady Chrysler & The Quetzalcoatl
Designed and Conceived by Diego Salazar
Interpreted and Fabricated by Christian Mendoza Ruiz
Pedal-Loom Tapestry with Organic Tints, 2021
This piece represents a union of American and Mexican cultures. Featured are Lady Chrysler from NYC entangled in the serpent god, Quetzalcoatl.
Interpreted and Fabricated by Christian Mendoza Ruiz
Pedal-Loom Tapestry with Organic Tints, 2021
This piece represents a union of American and Mexican cultures. Featured are Lady Chrysler from NYC entangled in the serpent god, Quetzalcoatl.
Lady Chrysler & The Quetzalcoatl
Designed and Conceived by Diego Salazar
Interpreted and Fabricated by Christian Mendoza Ruiz
Pedal-Loom Tapestry with Organic Tints, 2021
This piece represents a union of American and Mexican cultures. Featured are Lady Chrysler from NYC entangled in the serpent god, Quetzalcoatl.
Interpreted and Fabricated by Christian Mendoza Ruiz
Pedal-Loom Tapestry with Organic Tints, 2021
This piece represents a union of American and Mexican cultures. Featured are Lady Chrysler from NYC entangled in the serpent god, Quetzalcoatl.
Lady Chrysler & The Quetzalcoatl
Designed and Conceived by Diego Salazar
Interpreted and Fabricated by Christian Mendoza Ruiz
Pedal-Loom Tapestry with Organic Tints, 2021
This piece represents a union of American and Mexican cultures. Featured are Lady Chrysler from NYC entangled in the serpent god, Quetzalcoatl.
Interpreted and Fabricated by Christian Mendoza Ruiz
Pedal-Loom Tapestry with Organic Tints, 2021
This piece represents a union of American and Mexican cultures. Featured are Lady Chrysler from NYC entangled in the serpent god, Quetzalcoatl.
Lady Chrysler & The Quetzalcoatl
Designed and Conceived by Diego Salazar
Interpreted and Fabricated by Christian Mendoza Ruiz
Pedal-Loom Tapestry with Organic Tints, 2021
Diego's intention was to design a piece that represents union of American and Mexican cultures. Featured are Lady Chrysler from NYC entangled in the serpent god, Quetzalcoatl.
Interpreted and Fabricated by Christian Mendoza Ruiz
Pedal-Loom Tapestry with Organic Tints, 2021
Diego's intention was to design a piece that represents union of American and Mexican cultures. Featured are Lady Chrysler from NYC entangled in the serpent god, Quetzalcoatl.
Lady Chrysler & The Quetzalcoatl
Designed and Conceived by Diego Salazar
Interpreted and Fabricated by Christian Mendoza Ruiz
Pedal-Loom Tapestry with Organic Tints, 2021
This piece represents a union of American and Mexican cultures. Featured are Lady Chrysler from NYC entangled in the serpent god, Quetzalcoatl.
Interpreted and Fabricated by Christian Mendoza Ruiz
Pedal-Loom Tapestry with Organic Tints, 2021
This piece represents a union of American and Mexican cultures. Featured are Lady Chrysler from NYC entangled in the serpent god, Quetzalcoatl.
Lady Chrysler & The Quetzalcoatl
Designed and Conceived by Diego Salazar
Interpreted and Fabricated by Christian Mendoza Ruiz
Pedal-Loom Tapestry with Organic Tints, 2021
This piece represents a union of American and Mexican cultures. Featured are Lady Chrysler from NYC entangled in the serpent god, Quetzalcoatl.
Interpreted and Fabricated by Christian Mendoza Ruiz
Pedal-Loom Tapestry with Organic Tints, 2021
This piece represents a union of American and Mexican cultures. Featured are Lady Chrysler from NYC entangled in the serpent god, Quetzalcoatl.
Lady Chrysler & The Quetzalcoatl
Designed and Conceived by Diego Salazar
Interpreted and Fabricated by Christian Mendoza Ruiz
Pedal-Loom Tapestry with Organic Tints, 2021
This piece represents a union of American and Mexican cultures. Featured are Lady Chrysler from NYC entangled in the serpent god, Quetzalcoatl.
Interpreted and Fabricated by Christian Mendoza Ruiz
Pedal-Loom Tapestry with Organic Tints, 2021
This piece represents a union of American and Mexican cultures. Featured are Lady Chrysler from NYC entangled in the serpent god, Quetzalcoatl.
Lady Chrysler & The Quetzalcoatl
Designed and Conceived by Diego Salazar
Interpreted and Fabricated by Christian Mendoza Ruiz
Pedal-Loom Tapestry with Organic Tints, 2021
Diego's intention was to design a piece that represents union of American and Mexican cultures. Featured are Lady Chrysler from NYC entangled in the serpent god, Quetzalcoatl.
Interpreted and Fabricated by Christian Mendoza Ruiz
Pedal-Loom Tapestry with Organic Tints, 2021
Diego's intention was to design a piece that represents union of American and Mexican cultures. Featured are Lady Chrysler from NYC entangled in the serpent god, Quetzalcoatl.
Lady Chrysler & The Quetzalcoatl
Designed and Conceived by Diego Salazar
Interpreted and Fabricated by Christian Mendoza Ruiz
Pedal-Loom Tapestry with Organic Tints, 2021
This piece represents a union of American and Mexican cultures. Featured are Lady Chrysler from NYC entangled in the serpent god, Quetzalcoatl.
Interpreted and Fabricated by Christian Mendoza Ruiz
Pedal-Loom Tapestry with Organic Tints, 2021
This piece represents a union of American and Mexican cultures. Featured are Lady Chrysler from NYC entangled in the serpent god, Quetzalcoatl.
Lady Chrysler & The Quetzalcoatl
Designed and Conceived by Diego Salazar
Interpreted and Fabricated by Christian Mendoza Ruiz
Pedal-Loom Tapestry with Organic Tints, 2021
This piece represents a union of American and Mexican cultures. Featured are Lady Chrysler from NYC entangled in the serpent god, Quetzalcoatl.
Interpreted and Fabricated by Christian Mendoza Ruiz
Pedal-Loom Tapestry with Organic Tints, 2021
This piece represents a union of American and Mexican cultures. Featured are Lady Chrysler from NYC entangled in the serpent god, Quetzalcoatl.
Lady Chrysler & The Quetzalcoatl
Designed and Conceived by Diego Salazar
Interpreted and Fabricated by Christian Mendoza Ruiz
Pedal-Loom Tapestry with Organic Tints, 2021
This piece represents a union of American and Mexican cultures. Featured are Lady Chrysler from NYC entangled in the serpent god, Quetzalcoatl.
Interpreted and Fabricated by Christian Mendoza Ruiz
Pedal-Loom Tapestry with Organic Tints, 2021
This piece represents a union of American and Mexican cultures. Featured are Lady Chrysler from NYC entangled in the serpent god, Quetzalcoatl.
Lady Chrysler & The Quetzalcoatl
Designed and Conceived by Diego Salazar
Interpreted and Fabricated by Christian Mendoza Ruiz
Pedal-Loom Tapestry with Organic Tints, 2021
Diego's intention was to design a piece that represents union of American and Mexican cultures. Featured are Lady Chrysler from NYC entangled in the serpent god, Quetzalcoatl.
Interpreted and Fabricated by Christian Mendoza Ruiz
Pedal-Loom Tapestry with Organic Tints, 2021
Diego's intention was to design a piece that represents union of American and Mexican cultures. Featured are Lady Chrysler from NYC entangled in the serpent god, Quetzalcoatl.
Lady Chrysler & The Quetzalcoatl
Designed and Conceived by Diego Salazar
Interpreted and Fabricated by Christian Mendoza Ruiz
Pedal-Loom Tapestry with Organic Tints, 2021
This piece represents a union of American and Mexican cultures. Featured are Lady Chrysler from NYC entangled in the serpent god, Quetzalcoatl.
Interpreted and Fabricated by Christian Mendoza Ruiz
Pedal-Loom Tapestry with Organic Tints, 2021
This piece represents a union of American and Mexican cultures. Featured are Lady Chrysler from NYC entangled in the serpent god, Quetzalcoatl.
Lady Chrysler & The Quetzalcoatl
Designed and Conceived by Diego Salazar
Interpreted and Fabricated by Christian Mendoza Ruiz
Pedal-Loom Tapestry with Organic Tints, 2021
This piece represents a union of American and Mexican cultures. Featured are Lady Chrysler from NYC entangled in the serpent god, Quetzalcoatl.
Interpreted and Fabricated by Christian Mendoza Ruiz
Pedal-Loom Tapestry with Organic Tints, 2021
This piece represents a union of American and Mexican cultures. Featured are Lady Chrysler from NYC entangled in the serpent god, Quetzalcoatl.
Lady Chrysler & The Quetzalcoatl
Designed and Conceived by Diego Salazar
Interpreted and Fabricated by Christian Mendoza Ruiz
Pedal-Loom Tapestry with Organic Tints, 2021
This piece represents a union of American and Mexican cultures. Featured are Lady Chrysler from NYC entangled in the serpent god, Quetzalcoatl.
Interpreted and Fabricated by Christian Mendoza Ruiz
Pedal-Loom Tapestry with Organic Tints, 2021
This piece represents a union of American and Mexican cultures. Featured are Lady Chrysler from NYC entangled in the serpent god, Quetzalcoatl.
Lady Chrysler & The Quetzalcoatl
Designed and Conceived by Diego Salazar
Interpreted and Fabricated by Christian Mendoza Ruiz
Pedal-Loom Tapestry with Organic Tints, 2021
Diego's intention was to design a piece that represents union of American and Mexican cultures. Featured are Lady Chrysler from NYC entangled in the serpent god, Quetzalcoatl.
Interpreted and Fabricated by Christian Mendoza Ruiz
Pedal-Loom Tapestry with Organic Tints, 2021
Diego's intention was to design a piece that represents union of American and Mexican cultures. Featured are Lady Chrysler from NYC entangled in the serpent god, Quetzalcoatl.
Lady Chrysler & The Quetzalcoatl
Designed and Conceived by Diego Salazar
Interpreted and Fabricated by Christian Mendoza Ruiz
Pedal-Loom Tapestry with Organic Tints, 2021
This piece represents a union of American and Mexican cultures. Featured are Lady Chrysler from NYC entangled in the serpent god, Quetzalcoatl.
Interpreted and Fabricated by Christian Mendoza Ruiz
Pedal-Loom Tapestry with Organic Tints, 2021
This piece represents a union of American and Mexican cultures. Featured are Lady Chrysler from NYC entangled in the serpent god, Quetzalcoatl.
Lady Chrysler & The Quetzalcoatl
Designed and Conceived by Diego Salazar
Interpreted and Fabricated by Christian Mendoza Ruiz
Pedal-Loom Tapestry with Organic Tints, 2021
This piece represents a union of American and Mexican cultures. Featured are Lady Chrysler from NYC entangled in the serpent god, Quetzalcoatl.
Interpreted and Fabricated by Christian Mendoza Ruiz
Pedal-Loom Tapestry with Organic Tints, 2021
This piece represents a union of American and Mexican cultures. Featured are Lady Chrysler from NYC entangled in the serpent god, Quetzalcoatl.
Lady Chrysler & The Quetzalcoatl
Designed and Conceived by Diego Salazar
Interpreted and Fabricated by Christian Mendoza Ruiz
Pedal-Loom Tapestry with Organic Tints, 2021
This piece represents a union of American and Mexican cultures. Featured are Lady Chrysler from NYC entangled in the serpent god, Quetzalcoatl.
Interpreted and Fabricated by Christian Mendoza Ruiz
Pedal-Loom Tapestry with Organic Tints, 2021
This piece represents a union of American and Mexican cultures. Featured are Lady Chrysler from NYC entangled in the serpent god, Quetzalcoatl.
Lady Chrysler & The Quetzalcoatl
Designed and Conceived by Diego Salazar
Interpreted and Fabricated by Christian Mendoza Ruiz
Pedal-Loom Tapestry with Organic Tints, 2021
Diego's intention was to design a piece that represents union of American and Mexican cultures. Featured are Lady Chrysler from NYC entangled in the serpent god, Quetzalcoatl.
Interpreted and Fabricated by Christian Mendoza Ruiz
Pedal-Loom Tapestry with Organic Tints, 2021
Diego's intention was to design a piece that represents union of American and Mexican cultures. Featured are Lady Chrysler from NYC entangled in the serpent god, Quetzalcoatl.
Lady Chrysler & The Quetzalcoatl
Designed and Conceived by Diego Salazar
Interpreted and Fabricated by Christian Mendoza Ruiz
Pedal-Loom Tapestry with Organic Tints, 2021
This piece represents a union of American and Mexican cultures. Featured are Lady Chrysler from NYC entangled in the serpent god, Quetzalcoatl.
Interpreted and Fabricated by Christian Mendoza Ruiz
Pedal-Loom Tapestry with Organic Tints, 2021
This piece represents a union of American and Mexican cultures. Featured are Lady Chrysler from NYC entangled in the serpent god, Quetzalcoatl.
Lady Chrysler & The Quetzalcoatl
Designed and Conceived by Diego Salazar
Interpreted and Fabricated by Christian Mendoza Ruiz
Pedal-Loom Tapestry with Organic Tints, 2021
This piece represents a union of American and Mexican cultures. Featured are Lady Chrysler from NYC entangled in the serpent god, Quetzalcoatl.
Interpreted and Fabricated by Christian Mendoza Ruiz
Pedal-Loom Tapestry with Organic Tints, 2021
This piece represents a union of American and Mexican cultures. Featured are Lady Chrysler from NYC entangled in the serpent god, Quetzalcoatl.
Lady Chrysler & The Quetzalcoatl
Designed and Conceived by Diego Salazar
Interpreted and Fabricated by Christian Mendoza Ruiz
Pedal-Loom Tapestry with Organic Tints, 2021
This piece represents a union of American and Mexican cultures. Featured are Lady Chrysler from NYC entangled in the serpent god, Quetzalcoatl.
Interpreted and Fabricated by Christian Mendoza Ruiz
Pedal-Loom Tapestry with Organic Tints, 2021
This piece represents a union of American and Mexican cultures. Featured are Lady Chrysler from NYC entangled in the serpent god, Quetzalcoatl.
Lady Chrysler & The Quetzalcoatl
Designed and Conceived by Diego Salazar
Interpreted and Fabricated by Christian Mendoza Ruiz
Pedal-Loom Tapestry with Organic Tints, 2021
Diego's intention was to design a piece that represents union of American and Mexican cultures. Featured are Lady Chrysler from NYC entangled in the serpent god, Quetzalcoatl.
Interpreted and Fabricated by Christian Mendoza Ruiz
Pedal-Loom Tapestry with Organic Tints, 2021
Diego's intention was to design a piece that represents union of American and Mexican cultures. Featured are Lady Chrysler from NYC entangled in the serpent god, Quetzalcoatl.
Lady Chrysler & The Quetzalcoatl
Designed and Conceived by Diego Salazar
Interpreted and Fabricated by Christian Mendoza Ruiz
Pedal-Loom Tapestry with Organic Tints, 2021
This piece represents a union of American and Mexican cultures. Featured are Lady Chrysler from NYC entangled in the serpent god, Quetzalcoatl.
Interpreted and Fabricated by Christian Mendoza Ruiz
Pedal-Loom Tapestry with Organic Tints, 2021
This piece represents a union of American and Mexican cultures. Featured are Lady Chrysler from NYC entangled in the serpent god, Quetzalcoatl.
Lady Chrysler & The Quetzalcoatl
Designed and Conceived by Diego Salazar
Interpreted and Fabricated by Christian Mendoza Ruiz
Pedal-Loom Tapestry with Organic Tints, 2021
This piece represents a union of American and Mexican cultures. Featured are Lady Chrysler from NYC entangled in the serpent god, Quetzalcoatl.
Interpreted and Fabricated by Christian Mendoza Ruiz
Pedal-Loom Tapestry with Organic Tints, 2021
This piece represents a union of American and Mexican cultures. Featured are Lady Chrysler from NYC entangled in the serpent god, Quetzalcoatl.
Lady Chrysler & The Quetzalcoatl
Designed and Conceived by Diego Salazar
Interpreted and Fabricated by Christian Mendoza Ruiz
Pedal-Loom Tapestry with Organic Tints, 2021
This piece represents a union of American and Mexican cultures. Featured are Lady Chrysler from NYC entangled in the serpent god, Quetzalcoatl.
Interpreted and Fabricated by Christian Mendoza Ruiz
Pedal-Loom Tapestry with Organic Tints, 2021
This piece represents a union of American and Mexican cultures. Featured are Lady Chrysler from NYC entangled in the serpent god, Quetzalcoatl.
Lady Chrysler & The Quetzalcoatl
Designed and Conceived by Diego Salazar
Interpreted and Fabricated by Christian Mendoza Ruiz
Pedal-Loom Tapestry with Organic Tints, 2021
Diego's intention was to design a piece that represents union of American and Mexican cultures. Featured are Lady Chrysler from NYC entangled in the serpent god, Quetzalcoatl.
Interpreted and Fabricated by Christian Mendoza Ruiz
Pedal-Loom Tapestry with Organic Tints, 2021
Diego's intention was to design a piece that represents union of American and Mexican cultures. Featured are Lady Chrysler from NYC entangled in the serpent god, Quetzalcoatl.
The Game
Designed and Conceived by Diego Salazar
Interpreted and Fabricated by Agustin Cruz Prudencio
Painted Carved Copal Wood, 2021
Brookfield Place (previously named and still commonly referred to as the World Financial Center) is a shopping center and office building complex in the Battery Park City neighborhood in Lower Manhattan. Naturally, Diego dressed them as bankers and imagined them doing what they do best, gambling.
Diego designed this piece uniquely for Agustin, who interpreted his idea brilliantly, incorporating his own style and technique. Agustin introduced vibrant colors and patterns that are of his own vision and cultural Zapotec heritage. We will soon introduce you further to Agustin and his work.
Interpreted and Fabricated by Agustin Cruz Prudencio
Painted Carved Copal Wood, 2021
Brookfield Place (previously named and still commonly referred to as the World Financial Center) is a shopping center and office building complex in the Battery Park City neighborhood in Lower Manhattan. Naturally, Diego dressed them as bankers and imagined them doing what they do best, gambling.
Diego designed this piece uniquely for Agustin, who interpreted his idea brilliantly, incorporating his own style and technique. Agustin introduced vibrant colors and patterns that are of his own vision and cultural Zapotec heritage. We will soon introduce you further to Agustin and his work.
The Game
Designed and Conceived by Diego Salazar
Interpreted and Fabricated by Agustin Cruz Prudencio
Painted Carved Copal Wood, 2021
Brookfield Place (previously named and still commonly referred to as the World Financial Center) is a shopping center and office building complex in the Battery Park City neighborhood in Lower Manhattan. Naturally, Rombo dressed them as bankers and imagined them doing what they do best, gambling.
Rombo designed this piece uniquely for Agustin, who interpreted Rombo's idea brilliantly, incorporating his own style and technique. Agustin introduced vibrant colors and patterns that are of his own vision and cultural Zapotec heritage. We will soon introduce you further to Agustin and his work.
Interpreted and Fabricated by Agustin Cruz Prudencio
Painted Carved Copal Wood, 2021
Brookfield Place (previously named and still commonly referred to as the World Financial Center) is a shopping center and office building complex in the Battery Park City neighborhood in Lower Manhattan. Naturally, Rombo dressed them as bankers and imagined them doing what they do best, gambling.
Rombo designed this piece uniquely for Agustin, who interpreted Rombo's idea brilliantly, incorporating his own style and technique. Agustin introduced vibrant colors and patterns that are of his own vision and cultural Zapotec heritage. We will soon introduce you further to Agustin and his work.
The Game
Designed and Conceived by Rombo (b. 1993)
Interpreted and Fabricated by Agustin Cruz Prudencio (b. 1984)
Painted Carved Copal Wood, 2021
Brookfield Place (previously named and still commonly referred to as the World Financial Center) is a shopping center and office building complex in the Battery Park City neighborhood in Lower Manhattan. Naturally, Rombo dressed them as bankers and imagined them doing what they do best, gambling.
Rombo designed this piece uniquely for Agustin, who interpreted Rombo's idea brilliantly, incorporating his own style and technique. Agustin introduced vibrant colors and patterns that are of his own vision and cultural Zapotec heritage. We will soon introduce you further to Agustin and his work.
Interpreted and Fabricated by Agustin Cruz Prudencio (b. 1984)
Painted Carved Copal Wood, 2021
Brookfield Place (previously named and still commonly referred to as the World Financial Center) is a shopping center and office building complex in the Battery Park City neighborhood in Lower Manhattan. Naturally, Rombo dressed them as bankers and imagined them doing what they do best, gambling.
Rombo designed this piece uniquely for Agustin, who interpreted Rombo's idea brilliantly, incorporating his own style and technique. Agustin introduced vibrant colors and patterns that are of his own vision and cultural Zapotec heritage. We will soon introduce you further to Agustin and his work.
The Game
Designed and Conceived by Diego Salazar
Interpreted and Fabricated by Agustin Cruz Prudencio
Painted Carved Copal Wood, 2021
Brookfield Place (previously named and still commonly referred to as the World Financial Center) is a shopping center and office building complex in the Battery Park City neighborhood in Lower Manhattan. Naturally, Diego dressed them as bankers and imagined them doing what they do best, gambling.
Diego designed this piece uniquely for Agustin, who interpreted his idea brilliantly, incorporating his own style and technique. Agustin introduced vibrant colors and patterns that are of his own vision and cultural Zapotec heritage. We will soon introduce you further to Agustin and his work.
Interpreted and Fabricated by Agustin Cruz Prudencio
Painted Carved Copal Wood, 2021
Brookfield Place (previously named and still commonly referred to as the World Financial Center) is a shopping center and office building complex in the Battery Park City neighborhood in Lower Manhattan. Naturally, Diego dressed them as bankers and imagined them doing what they do best, gambling.
Diego designed this piece uniquely for Agustin, who interpreted his idea brilliantly, incorporating his own style and technique. Agustin introduced vibrant colors and patterns that are of his own vision and cultural Zapotec heritage. We will soon introduce you further to Agustin and his work.
The Game
Designed and Conceived by Diego Salazar
Interpreted and Fabricated by Agustin Cruz Prudencio
Painted Carved Copal Wood, 2021
Brookfield Place (previously named and still commonly referred to as the World Financial Center) is a shopping center and office building complex in the Battery Park City neighborhood in Lower Manhattan. Naturally, Diego dressed them as bankers and imagined them doing what they do best, gambling.
Diego designed this piece uniquely for Agustin, who interpreted his idea brilliantly, incorporating his own style and technique. Agustin introduced vibrant colors and patterns that are of his own vision and cultural Zapotec heritage. We will soon introduce you further to Agustin and his work.
Interpreted and Fabricated by Agustin Cruz Prudencio
Painted Carved Copal Wood, 2021
Brookfield Place (previously named and still commonly referred to as the World Financial Center) is a shopping center and office building complex in the Battery Park City neighborhood in Lower Manhattan. Naturally, Diego dressed them as bankers and imagined them doing what they do best, gambling.
Diego designed this piece uniquely for Agustin, who interpreted his idea brilliantly, incorporating his own style and technique. Agustin introduced vibrant colors and patterns that are of his own vision and cultural Zapotec heritage. We will soon introduce you further to Agustin and his work.
The Game
Designed and Conceived by Diego Salazar
Interpreted and Fabricated by Agustin Cruz Prudencio
Painted Carved Copal Wood, 2021
Brookfield Place (previously named and still commonly referred to as the World Financial Center) is a shopping center and office building complex in the Battery Park City neighborhood in Lower Manhattan. Naturally, Rombo dressed them as bankers and imagined them doing what they do best, gambling.
Rombo designed this piece uniquely for Agustin, who interpreted Rombo's idea brilliantly, incorporating his own style and technique. Agustin introduced vibrant colors and patterns that are of his own vision and cultural Zapotec heritage. We will soon introduce you further to Agustin and his work.
Interpreted and Fabricated by Agustin Cruz Prudencio
Painted Carved Copal Wood, 2021
Brookfield Place (previously named and still commonly referred to as the World Financial Center) is a shopping center and office building complex in the Battery Park City neighborhood in Lower Manhattan. Naturally, Rombo dressed them as bankers and imagined them doing what they do best, gambling.
Rombo designed this piece uniquely for Agustin, who interpreted Rombo's idea brilliantly, incorporating his own style and technique. Agustin introduced vibrant colors and patterns that are of his own vision and cultural Zapotec heritage. We will soon introduce you further to Agustin and his work.
The Game
Designed and Conceived by Rombo (b. 1993)
Interpreted and Fabricated by Agustin Cruz Prudencio (b. 1984)
Painted Carved Copal Wood, 2021
Brookfield Place (previously named and still commonly referred to as the World Financial Center) is a shopping center and office building complex in the Battery Park City neighborhood in Lower Manhattan. Naturally, Rombo dressed them as bankers and imagined them doing what they do best, gambling.
Rombo designed this piece uniquely for Agustin, who interpreted Rombo's idea brilliantly, incorporating his own style and technique. Agustin introduced vibrant colors and patterns that are of his own vision and cultural Zapotec heritage. We will soon introduce you further to Agustin and his work.
Interpreted and Fabricated by Agustin Cruz Prudencio (b. 1984)
Painted Carved Copal Wood, 2021
Brookfield Place (previously named and still commonly referred to as the World Financial Center) is a shopping center and office building complex in the Battery Park City neighborhood in Lower Manhattan. Naturally, Rombo dressed them as bankers and imagined them doing what they do best, gambling.
Rombo designed this piece uniquely for Agustin, who interpreted Rombo's idea brilliantly, incorporating his own style and technique. Agustin introduced vibrant colors and patterns that are of his own vision and cultural Zapotec heritage. We will soon introduce you further to Agustin and his work.
The Game
Designed and Conceived by Diego Salazar
Interpreted and Fabricated by Agustin Cruz Prudencio
Painted Carved Copal Wood, 2021
Brookfield Place (previously named and still commonly referred to as the World Financial Center) is a shopping center and office building complex in the Battery Park City neighborhood in Lower Manhattan. Naturally, Diego dressed them as bankers and imagined them doing what they do best, gambling.
Diego designed this piece uniquely for Agustin, who interpreted his idea brilliantly, incorporating his own style and technique. Agustin introduced vibrant colors and patterns that are of his own vision and cultural Zapotec heritage. We will soon introduce you further to Agustin and his work.
Interpreted and Fabricated by Agustin Cruz Prudencio
Painted Carved Copal Wood, 2021
Brookfield Place (previously named and still commonly referred to as the World Financial Center) is a shopping center and office building complex in the Battery Park City neighborhood in Lower Manhattan. Naturally, Diego dressed them as bankers and imagined them doing what they do best, gambling.
Diego designed this piece uniquely for Agustin, who interpreted his idea brilliantly, incorporating his own style and technique. Agustin introduced vibrant colors and patterns that are of his own vision and cultural Zapotec heritage. We will soon introduce you further to Agustin and his work.
The Game
Designed and Conceived by Diego Salazar
Interpreted and Fabricated by Agustin Cruz Prudencio
Painted Carved Copal Wood, 2021
Brookfield Place (previously named and still commonly referred to as the World Financial Center) is a shopping center and office building complex in the Battery Park City neighborhood in Lower Manhattan. Naturally, Diego dressed them as bankers and imagined them doing what they do best, gambling.
Diego designed this piece uniquely for Agustin, who interpreted his idea brilliantly, incorporating his own style and technique. Agustin introduced vibrant colors and patterns that are of his own vision and cultural Zapotec heritage. We will soon introduce you further to Agustin and his work.
Interpreted and Fabricated by Agustin Cruz Prudencio
Painted Carved Copal Wood, 2021
Brookfield Place (previously named and still commonly referred to as the World Financial Center) is a shopping center and office building complex in the Battery Park City neighborhood in Lower Manhattan. Naturally, Diego dressed them as bankers and imagined them doing what they do best, gambling.
Diego designed this piece uniquely for Agustin, who interpreted his idea brilliantly, incorporating his own style and technique. Agustin introduced vibrant colors and patterns that are of his own vision and cultural Zapotec heritage. We will soon introduce you further to Agustin and his work.
The Game
Designed and Conceived by Diego Salazar
Interpreted and Fabricated by Agustin Cruz Prudencio
Painted Carved Copal Wood, 2021
Brookfield Place (previously named and still commonly referred to as the World Financial Center) is a shopping center and office building complex in the Battery Park City neighborhood in Lower Manhattan. Naturally, Rombo dressed them as bankers and imagined them doing what they do best, gambling.
Rombo designed this piece uniquely for Agustin, who interpreted Rombo's idea brilliantly, incorporating his own style and technique. Agustin introduced vibrant colors and patterns that are of his own vision and cultural Zapotec heritage. We will soon introduce you further to Agustin and his work.
Interpreted and Fabricated by Agustin Cruz Prudencio
Painted Carved Copal Wood, 2021
Brookfield Place (previously named and still commonly referred to as the World Financial Center) is a shopping center and office building complex in the Battery Park City neighborhood in Lower Manhattan. Naturally, Rombo dressed them as bankers and imagined them doing what they do best, gambling.
Rombo designed this piece uniquely for Agustin, who interpreted Rombo's idea brilliantly, incorporating his own style and technique. Agustin introduced vibrant colors and patterns that are of his own vision and cultural Zapotec heritage. We will soon introduce you further to Agustin and his work.
The Game
Designed and Conceived by Rombo (b. 1993)
Interpreted and Fabricated by Agustin Cruz Prudencio (b. 1984)
Painted Carved Copal Wood, 2021
Brookfield Place (previously named and still commonly referred to as the World Financial Center) is a shopping center and office building complex in the Battery Park City neighborhood in Lower Manhattan. Naturally, Rombo dressed them as bankers and imagined them doing what they do best, gambling.
Rombo designed this piece uniquely for Agustin, who interpreted Rombo's idea brilliantly, incorporating his own style and technique. Agustin introduced vibrant colors and patterns that are of his own vision and cultural Zapotec heritage. We will soon introduce you further to Agustin and his work.
Interpreted and Fabricated by Agustin Cruz Prudencio (b. 1984)
Painted Carved Copal Wood, 2021
Brookfield Place (previously named and still commonly referred to as the World Financial Center) is a shopping center and office building complex in the Battery Park City neighborhood in Lower Manhattan. Naturally, Rombo dressed them as bankers and imagined them doing what they do best, gambling.
Rombo designed this piece uniquely for Agustin, who interpreted Rombo's idea brilliantly, incorporating his own style and technique. Agustin introduced vibrant colors and patterns that are of his own vision and cultural Zapotec heritage. We will soon introduce you further to Agustin and his work.
The Game
Designed and Conceived by Diego Salazar
Interpreted and Fabricated by Agustin Cruz Prudencio
Painted Carved Copal Wood, 2021
Brookfield Place (previously named and still commonly referred to as the World Financial Center) is a shopping center and office building complex in the Battery Park City neighborhood in Lower Manhattan. Naturally, Diego dressed them as bankers and imagined them doing what they do best, gambling.
Diego designed this piece uniquely for Agustin, who interpreted his idea brilliantly, incorporating his own style and technique. Agustin introduced vibrant colors and patterns that are of his own vision and cultural Zapotec heritage. We will soon introduce you further to Agustin and his work.
Interpreted and Fabricated by Agustin Cruz Prudencio
Painted Carved Copal Wood, 2021
Brookfield Place (previously named and still commonly referred to as the World Financial Center) is a shopping center and office building complex in the Battery Park City neighborhood in Lower Manhattan. Naturally, Diego dressed them as bankers and imagined them doing what they do best, gambling.
Diego designed this piece uniquely for Agustin, who interpreted his idea brilliantly, incorporating his own style and technique. Agustin introduced vibrant colors and patterns that are of his own vision and cultural Zapotec heritage. We will soon introduce you further to Agustin and his work.
The Game
Designed and Conceived by Diego Salazar
Interpreted and Fabricated by Agustin Cruz Prudencio
Painted Carved Copal Wood, 2021
Brookfield Place (previously named and still commonly referred to as the World Financial Center) is a shopping center and office building complex in the Battery Park City neighborhood in Lower Manhattan. Naturally, Diego dressed them as bankers and imagined them doing what they do best, gambling.
Diego designed this piece uniquely for Agustin, who interpreted his idea brilliantly, incorporating his own style and technique. Agustin introduced vibrant colors and patterns that are of his own vision and cultural Zapotec heritage. We will soon introduce you further to Agustin and his work.
Interpreted and Fabricated by Agustin Cruz Prudencio
Painted Carved Copal Wood, 2021
Brookfield Place (previously named and still commonly referred to as the World Financial Center) is a shopping center and office building complex in the Battery Park City neighborhood in Lower Manhattan. Naturally, Diego dressed them as bankers and imagined them doing what they do best, gambling.
Diego designed this piece uniquely for Agustin, who interpreted his idea brilliantly, incorporating his own style and technique. Agustin introduced vibrant colors and patterns that are of his own vision and cultural Zapotec heritage. We will soon introduce you further to Agustin and his work.
The Game
Designed and Conceived by Diego Salazar
Interpreted and Fabricated by Agustin Cruz Prudencio
Painted Carved Copal Wood, 2021
Brookfield Place (previously named and still commonly referred to as the World Financial Center) is a shopping center and office building complex in the Battery Park City neighborhood in Lower Manhattan. Naturally, Rombo dressed them as bankers and imagined them doing what they do best, gambling.
Rombo designed this piece uniquely for Agustin, who interpreted Rombo's idea brilliantly, incorporating his own style and technique. Agustin introduced vibrant colors and patterns that are of his own vision and cultural Zapotec heritage. We will soon introduce you further to Agustin and his work.
Interpreted and Fabricated by Agustin Cruz Prudencio
Painted Carved Copal Wood, 2021
Brookfield Place (previously named and still commonly referred to as the World Financial Center) is a shopping center and office building complex in the Battery Park City neighborhood in Lower Manhattan. Naturally, Rombo dressed them as bankers and imagined them doing what they do best, gambling.
Rombo designed this piece uniquely for Agustin, who interpreted Rombo's idea brilliantly, incorporating his own style and technique. Agustin introduced vibrant colors and patterns that are of his own vision and cultural Zapotec heritage. We will soon introduce you further to Agustin and his work.
The Game
Designed and Conceived by Rombo (b. 1993)
Interpreted and Fabricated by Agustin Cruz Prudencio (b. 1984)
Painted Carved Copal Wood, 2021
Brookfield Place (previously named and still commonly referred to as the World Financial Center) is a shopping center and office building complex in the Battery Park City neighborhood in Lower Manhattan. Naturally, Rombo dressed them as bankers and imagined them doing what they do best, gambling.
Rombo designed this piece uniquely for Agustin, who interpreted Rombo's idea brilliantly, incorporating his own style and technique. Agustin introduced vibrant colors and patterns that are of his own vision and cultural Zapotec heritage. We will soon introduce you further to Agustin and his work.
Interpreted and Fabricated by Agustin Cruz Prudencio (b. 1984)
Painted Carved Copal Wood, 2021
Brookfield Place (previously named and still commonly referred to as the World Financial Center) is a shopping center and office building complex in the Battery Park City neighborhood in Lower Manhattan. Naturally, Rombo dressed them as bankers and imagined them doing what they do best, gambling.
Rombo designed this piece uniquely for Agustin, who interpreted Rombo's idea brilliantly, incorporating his own style and technique. Agustin introduced vibrant colors and patterns that are of his own vision and cultural Zapotec heritage. We will soon introduce you further to Agustin and his work.
The Game
Designed and Conceived by Diego Salazar
Interpreted and Fabricated by Agustin Cruz Prudencio
Painted Carved Copal Wood, 2021
Brookfield Place (previously named and still commonly referred to as the World Financial Center) is a shopping center and office building complex in the Battery Park City neighborhood in Lower Manhattan. Naturally, Diego dressed them as bankers and imagined them doing what they do best, gambling.
Diego designed this piece uniquely for Agustin, who interpreted his idea brilliantly, incorporating his own style and technique. Agustin introduced vibrant colors and patterns that are of his own vision and cultural Zapotec heritage. We will soon introduce you further to Agustin and his work.
Interpreted and Fabricated by Agustin Cruz Prudencio
Painted Carved Copal Wood, 2021
Brookfield Place (previously named and still commonly referred to as the World Financial Center) is a shopping center and office building complex in the Battery Park City neighborhood in Lower Manhattan. Naturally, Diego dressed them as bankers and imagined them doing what they do best, gambling.
Diego designed this piece uniquely for Agustin, who interpreted his idea brilliantly, incorporating his own style and technique. Agustin introduced vibrant colors and patterns that are of his own vision and cultural Zapotec heritage. We will soon introduce you further to Agustin and his work.
The Game
Designed and Conceived by Diego Salazar
Interpreted and Fabricated by Agustin Cruz Prudencio
Painted Carved Copal Wood, 2021
Brookfield Place (previously named and still commonly referred to as the World Financial Center) is a shopping center and office building complex in the Battery Park City neighborhood in Lower Manhattan. Naturally, Diego dressed them as bankers and imagined them doing what they do best, gambling.
Diego designed this piece uniquely for Agustin, who interpreted his idea brilliantly, incorporating his own style and technique. Agustin introduced vibrant colors and patterns that are of his own vision and cultural Zapotec heritage. We will soon introduce you further to Agustin and his work.
Interpreted and Fabricated by Agustin Cruz Prudencio
Painted Carved Copal Wood, 2021
Brookfield Place (previously named and still commonly referred to as the World Financial Center) is a shopping center and office building complex in the Battery Park City neighborhood in Lower Manhattan. Naturally, Diego dressed them as bankers and imagined them doing what they do best, gambling.
Diego designed this piece uniquely for Agustin, who interpreted his idea brilliantly, incorporating his own style and technique. Agustin introduced vibrant colors and patterns that are of his own vision and cultural Zapotec heritage. We will soon introduce you further to Agustin and his work.
The Game
Designed and Conceived by Diego Salazar
Interpreted and Fabricated by Agustin Cruz Prudencio
Painted Carved Copal Wood, 2021
Brookfield Place (previously named and still commonly referred to as the World Financial Center) is a shopping center and office building complex in the Battery Park City neighborhood in Lower Manhattan. Naturally, Rombo dressed them as bankers and imagined them doing what they do best, gambling.
Rombo designed this piece uniquely for Agustin, who interpreted Rombo's idea brilliantly, incorporating his own style and technique. Agustin introduced vibrant colors and patterns that are of his own vision and cultural Zapotec heritage. We will soon introduce you further to Agustin and his work.
Interpreted and Fabricated by Agustin Cruz Prudencio
Painted Carved Copal Wood, 2021
Brookfield Place (previously named and still commonly referred to as the World Financial Center) is a shopping center and office building complex in the Battery Park City neighborhood in Lower Manhattan. Naturally, Rombo dressed them as bankers and imagined them doing what they do best, gambling.
Rombo designed this piece uniquely for Agustin, who interpreted Rombo's idea brilliantly, incorporating his own style and technique. Agustin introduced vibrant colors and patterns that are of his own vision and cultural Zapotec heritage. We will soon introduce you further to Agustin and his work.
The Game
Designed and Conceived by Rombo (b. 1993)
Interpreted and Fabricated by Agustin Cruz Prudencio (b. 1984)
Painted Carved Copal Wood, 2021
Brookfield Place (previously named and still commonly referred to as the World Financial Center) is a shopping center and office building complex in the Battery Park City neighborhood in Lower Manhattan. Naturally, Rombo dressed them as bankers and imagined them doing what they do best, gambling.
Rombo designed this piece uniquely for Agustin, who interpreted Rombo's idea brilliantly, incorporating his own style and technique. Agustin introduced vibrant colors and patterns that are of his own vision and cultural Zapotec heritage. We will soon introduce you further to Agustin and his work.
Interpreted and Fabricated by Agustin Cruz Prudencio (b. 1984)
Painted Carved Copal Wood, 2021
Brookfield Place (previously named and still commonly referred to as the World Financial Center) is a shopping center and office building complex in the Battery Park City neighborhood in Lower Manhattan. Naturally, Rombo dressed them as bankers and imagined them doing what they do best, gambling.
Rombo designed this piece uniquely for Agustin, who interpreted Rombo's idea brilliantly, incorporating his own style and technique. Agustin introduced vibrant colors and patterns that are of his own vision and cultural Zapotec heritage. We will soon introduce you further to Agustin and his work.
The Game
Designed and Conceived by Diego Salazar
Interpreted and Fabricated by Agustin Cruz Prudencio
Painted Carved Copal Wood, 2021
Brookfield Place (previously named and still commonly referred to as the World Financial Center) is a shopping center and office building complex in the Battery Park City neighborhood in Lower Manhattan. Naturally, Diego dressed them as bankers and imagined them doing what they do best, gambling.
Diego designed this piece uniquely for Agustin, who interpreted his idea brilliantly, incorporating his own style and technique. Agustin introduced vibrant colors and patterns that are of his own vision and cultural Zapotec heritage. We will soon introduce you further to Agustin and his work.
Interpreted and Fabricated by Agustin Cruz Prudencio
Painted Carved Copal Wood, 2021
Brookfield Place (previously named and still commonly referred to as the World Financial Center) is a shopping center and office building complex in the Battery Park City neighborhood in Lower Manhattan. Naturally, Diego dressed them as bankers and imagined them doing what they do best, gambling.
Diego designed this piece uniquely for Agustin, who interpreted his idea brilliantly, incorporating his own style and technique. Agustin introduced vibrant colors and patterns that are of his own vision and cultural Zapotec heritage. We will soon introduce you further to Agustin and his work.
The Game
Designed and Conceived by Diego Salazar
Interpreted and Fabricated by Agustin Cruz Prudencio
Painted Carved Copal Wood, 2021
Brookfield Place (previously named and still commonly referred to as the World Financial Center) is a shopping center and office building complex in the Battery Park City neighborhood in Lower Manhattan. Naturally, Diego dressed them as bankers and imagined them doing what they do best, gambling.
Diego designed this piece uniquely for Agustin, who interpreted his idea brilliantly, incorporating his own style and technique. Agustin introduced vibrant colors and patterns that are of his own vision and cultural Zapotec heritage. We will soon introduce you further to Agustin and his work.
Interpreted and Fabricated by Agustin Cruz Prudencio
Painted Carved Copal Wood, 2021
Brookfield Place (previously named and still commonly referred to as the World Financial Center) is a shopping center and office building complex in the Battery Park City neighborhood in Lower Manhattan. Naturally, Diego dressed them as bankers and imagined them doing what they do best, gambling.
Diego designed this piece uniquely for Agustin, who interpreted his idea brilliantly, incorporating his own style and technique. Agustin introduced vibrant colors and patterns that are of his own vision and cultural Zapotec heritage. We will soon introduce you further to Agustin and his work.
The Game
Designed and Conceived by Diego Salazar
Interpreted and Fabricated by Agustin Cruz Prudencio
Painted Carved Copal Wood, 2021
Brookfield Place (previously named and still commonly referred to as the World Financial Center) is a shopping center and office building complex in the Battery Park City neighborhood in Lower Manhattan. Naturally, Rombo dressed them as bankers and imagined them doing what they do best, gambling.
Rombo designed this piece uniquely for Agustin, who interpreted Rombo's idea brilliantly, incorporating his own style and technique. Agustin introduced vibrant colors and patterns that are of his own vision and cultural Zapotec heritage. We will soon introduce you further to Agustin and his work.
Interpreted and Fabricated by Agustin Cruz Prudencio
Painted Carved Copal Wood, 2021
Brookfield Place (previously named and still commonly referred to as the World Financial Center) is a shopping center and office building complex in the Battery Park City neighborhood in Lower Manhattan. Naturally, Rombo dressed them as bankers and imagined them doing what they do best, gambling.
Rombo designed this piece uniquely for Agustin, who interpreted Rombo's idea brilliantly, incorporating his own style and technique. Agustin introduced vibrant colors and patterns that are of his own vision and cultural Zapotec heritage. We will soon introduce you further to Agustin and his work.
The Game
Designed and Conceived by Rombo (b. 1993)
Interpreted and Fabricated by Agustin Cruz Prudencio (b. 1984)
Painted Carved Copal Wood, 2021
Brookfield Place (previously named and still commonly referred to as the World Financial Center) is a shopping center and office building complex in the Battery Park City neighborhood in Lower Manhattan. Naturally, Rombo dressed them as bankers and imagined them doing what they do best, gambling.
Rombo designed this piece uniquely for Agustin, who interpreted Rombo's idea brilliantly, incorporating his own style and technique. Agustin introduced vibrant colors and patterns that are of his own vision and cultural Zapotec heritage. We will soon introduce you further to Agustin and his work.
Interpreted and Fabricated by Agustin Cruz Prudencio (b. 1984)
Painted Carved Copal Wood, 2021
Brookfield Place (previously named and still commonly referred to as the World Financial Center) is a shopping center and office building complex in the Battery Park City neighborhood in Lower Manhattan. Naturally, Rombo dressed them as bankers and imagined them doing what they do best, gambling.
Rombo designed this piece uniquely for Agustin, who interpreted Rombo's idea brilliantly, incorporating his own style and technique. Agustin introduced vibrant colors and patterns that are of his own vision and cultural Zapotec heritage. We will soon introduce you further to Agustin and his work.
The Game
Designed and Conceived by Diego Salazar
Interpreted and Fabricated by Agustin Cruz Prudencio
Painted Carved Copal Wood, 2021
Brookfield Place (previously named and still commonly referred to as the World Financial Center) is a shopping center and office building complex in the Battery Park City neighborhood in Lower Manhattan. Naturally, Diego dressed them as bankers and imagined them doing what they do best, gambling.
Diego designed this piece uniquely for Agustin, who interpreted his idea brilliantly, incorporating his own style and technique. Agustin introduced vibrant colors and patterns that are of his own vision and cultural Zapotec heritage. We will soon introduce you further to Agustin and his work.
Interpreted and Fabricated by Agustin Cruz Prudencio
Painted Carved Copal Wood, 2021
Brookfield Place (previously named and still commonly referred to as the World Financial Center) is a shopping center and office building complex in the Battery Park City neighborhood in Lower Manhattan. Naturally, Diego dressed them as bankers and imagined them doing what they do best, gambling.
Diego designed this piece uniquely for Agustin, who interpreted his idea brilliantly, incorporating his own style and technique. Agustin introduced vibrant colors and patterns that are of his own vision and cultural Zapotec heritage. We will soon introduce you further to Agustin and his work.
The Game
Designed and Conceived by Diego Salazar
Interpreted and Fabricated by Agustin Cruz Prudencio
Painted Carved Copal Wood, 2021
Brookfield Place (previously named and still commonly referred to as the World Financial Center) is a shopping center and office building complex in the Battery Park City neighborhood in Lower Manhattan. Naturally, Diego dressed them as bankers and imagined them doing what they do best, gambling.
Diego designed this piece uniquely for Agustin, who interpreted his idea brilliantly, incorporating his own style and technique. Agustin introduced vibrant colors and patterns that are of his own vision and cultural Zapotec heritage. We will soon introduce you further to Agustin and his work.
Interpreted and Fabricated by Agustin Cruz Prudencio
Painted Carved Copal Wood, 2021
Brookfield Place (previously named and still commonly referred to as the World Financial Center) is a shopping center and office building complex in the Battery Park City neighborhood in Lower Manhattan. Naturally, Diego dressed them as bankers and imagined them doing what they do best, gambling.
Diego designed this piece uniquely for Agustin, who interpreted his idea brilliantly, incorporating his own style and technique. Agustin introduced vibrant colors and patterns that are of his own vision and cultural Zapotec heritage. We will soon introduce you further to Agustin and his work.
The Game
Designed and Conceived by Diego Salazar
Interpreted and Fabricated by Agustin Cruz Prudencio
Painted Carved Copal Wood, 2021
Brookfield Place (previously named and still commonly referred to as the World Financial Center) is a shopping center and office building complex in the Battery Park City neighborhood in Lower Manhattan. Naturally, Rombo dressed them as bankers and imagined them doing what they do best, gambling.
Rombo designed this piece uniquely for Agustin, who interpreted Rombo's idea brilliantly, incorporating his own style and technique. Agustin introduced vibrant colors and patterns that are of his own vision and cultural Zapotec heritage. We will soon introduce you further to Agustin and his work.
Interpreted and Fabricated by Agustin Cruz Prudencio
Painted Carved Copal Wood, 2021
Brookfield Place (previously named and still commonly referred to as the World Financial Center) is a shopping center and office building complex in the Battery Park City neighborhood in Lower Manhattan. Naturally, Rombo dressed them as bankers and imagined them doing what they do best, gambling.
Rombo designed this piece uniquely for Agustin, who interpreted Rombo's idea brilliantly, incorporating his own style and technique. Agustin introduced vibrant colors and patterns that are of his own vision and cultural Zapotec heritage. We will soon introduce you further to Agustin and his work.
The Game
Designed and Conceived by Rombo (b. 1993)
Interpreted and Fabricated by Agustin Cruz Prudencio (b. 1984)
Painted Carved Copal Wood, 2021
Brookfield Place (previously named and still commonly referred to as the World Financial Center) is a shopping center and office building complex in the Battery Park City neighborhood in Lower Manhattan. Naturally, Rombo dressed them as bankers and imagined them doing what they do best, gambling.
Rombo designed this piece uniquely for Agustin, who interpreted Rombo's idea brilliantly, incorporating his own style and technique. Agustin introduced vibrant colors and patterns that are of his own vision and cultural Zapotec heritage. We will soon introduce you further to Agustin and his work.
Interpreted and Fabricated by Agustin Cruz Prudencio (b. 1984)
Painted Carved Copal Wood, 2021
Brookfield Place (previously named and still commonly referred to as the World Financial Center) is a shopping center and office building complex in the Battery Park City neighborhood in Lower Manhattan. Naturally, Rombo dressed them as bankers and imagined them doing what they do best, gambling.
Rombo designed this piece uniquely for Agustin, who interpreted Rombo's idea brilliantly, incorporating his own style and technique. Agustin introduced vibrant colors and patterns that are of his own vision and cultural Zapotec heritage. We will soon introduce you further to Agustin and his work.
The Game
Designed and Conceived by Diego Salazar
Interpreted and Fabricated by Agustin Cruz Prudencio
Painted Carved Copal Wood, 2021
Brookfield Place (previously named and still commonly referred to as the World Financial Center) is a shopping center and office building complex in the Battery Park City neighborhood in Lower Manhattan. Naturally, Diego dressed them as bankers and imagined them doing what they do best, gambling.
Diego designed this piece uniquely for Agustin, who interpreted his idea brilliantly, incorporating his own style and technique. Agustin introduced vibrant colors and patterns that are of his own vision and cultural Zapotec heritage. We will soon introduce you further to Agustin and his work.
Interpreted and Fabricated by Agustin Cruz Prudencio
Painted Carved Copal Wood, 2021
Brookfield Place (previously named and still commonly referred to as the World Financial Center) is a shopping center and office building complex in the Battery Park City neighborhood in Lower Manhattan. Naturally, Diego dressed them as bankers and imagined them doing what they do best, gambling.
Diego designed this piece uniquely for Agustin, who interpreted his idea brilliantly, incorporating his own style and technique. Agustin introduced vibrant colors and patterns that are of his own vision and cultural Zapotec heritage. We will soon introduce you further to Agustin and his work.
The Game
Designed and Conceived by Diego Salazar
Interpreted and Fabricated by Agustin Cruz Prudencio
Painted Carved Copal Wood, 2021
Brookfield Place (previously named and still commonly referred to as the World Financial Center) is a shopping center and office building complex in the Battery Park City neighborhood in Lower Manhattan. Naturally, Diego dressed them as bankers and imagined them doing what they do best, gambling.
Diego designed this piece uniquely for Agustin, who interpreted his idea brilliantly, incorporating his own style and technique. Agustin introduced vibrant colors and patterns that are of his own vision and cultural Zapotec heritage. We will soon introduce you further to Agustin and his work.
Interpreted and Fabricated by Agustin Cruz Prudencio
Painted Carved Copal Wood, 2021
Brookfield Place (previously named and still commonly referred to as the World Financial Center) is a shopping center and office building complex in the Battery Park City neighborhood in Lower Manhattan. Naturally, Diego dressed them as bankers and imagined them doing what they do best, gambling.
Diego designed this piece uniquely for Agustin, who interpreted his idea brilliantly, incorporating his own style and technique. Agustin introduced vibrant colors and patterns that are of his own vision and cultural Zapotec heritage. We will soon introduce you further to Agustin and his work.
The Game
Designed and Conceived by Diego Salazar
Interpreted and Fabricated by Agustin Cruz Prudencio
Painted Carved Copal Wood, 2021
Brookfield Place (previously named and still commonly referred to as the World Financial Center) is a shopping center and office building complex in the Battery Park City neighborhood in Lower Manhattan. Naturally, Rombo dressed them as bankers and imagined them doing what they do best, gambling.
Rombo designed this piece uniquely for Agustin, who interpreted Rombo's idea brilliantly, incorporating his own style and technique. Agustin introduced vibrant colors and patterns that are of his own vision and cultural Zapotec heritage. We will soon introduce you further to Agustin and his work.
Interpreted and Fabricated by Agustin Cruz Prudencio
Painted Carved Copal Wood, 2021
Brookfield Place (previously named and still commonly referred to as the World Financial Center) is a shopping center and office building complex in the Battery Park City neighborhood in Lower Manhattan. Naturally, Rombo dressed them as bankers and imagined them doing what they do best, gambling.
Rombo designed this piece uniquely for Agustin, who interpreted Rombo's idea brilliantly, incorporating his own style and technique. Agustin introduced vibrant colors and patterns that are of his own vision and cultural Zapotec heritage. We will soon introduce you further to Agustin and his work.
The Game
Designed and Conceived by Rombo (b. 1993)
Interpreted and Fabricated by Agustin Cruz Prudencio (b. 1984)
Painted Carved Copal Wood, 2021
Brookfield Place (previously named and still commonly referred to as the World Financial Center) is a shopping center and office building complex in the Battery Park City neighborhood in Lower Manhattan. Naturally, Rombo dressed them as bankers and imagined them doing what they do best, gambling.
Rombo designed this piece uniquely for Agustin, who interpreted Rombo's idea brilliantly, incorporating his own style and technique. Agustin introduced vibrant colors and patterns that are of his own vision and cultural Zapotec heritage. We will soon introduce you further to Agustin and his work.
Interpreted and Fabricated by Agustin Cruz Prudencio (b. 1984)
Painted Carved Copal Wood, 2021
Brookfield Place (previously named and still commonly referred to as the World Financial Center) is a shopping center and office building complex in the Battery Park City neighborhood in Lower Manhattan. Naturally, Rombo dressed them as bankers and imagined them doing what they do best, gambling.
Rombo designed this piece uniquely for Agustin, who interpreted Rombo's idea brilliantly, incorporating his own style and technique. Agustin introduced vibrant colors and patterns that are of his own vision and cultural Zapotec heritage. We will soon introduce you further to Agustin and his work.
The Game
Designed and Conceived by Diego Salazar
Interpreted and Fabricated by Agustin Cruz Prudencio
Painted Carved Copal Wood, 2021
Brookfield Place (previously named and still commonly referred to as the World Financial Center) is a shopping center and office building complex in the Battery Park City neighborhood in Lower Manhattan. Naturally, Diego dressed them as bankers and imagined them doing what they do best, gambling.
Diego designed this piece uniquely for Agustin, who interpreted his idea brilliantly, incorporating his own style and technique. Agustin introduced vibrant colors and patterns that are of his own vision and cultural Zapotec heritage. We will soon introduce you further to Agustin and his work.
Interpreted and Fabricated by Agustin Cruz Prudencio
Painted Carved Copal Wood, 2021
Brookfield Place (previously named and still commonly referred to as the World Financial Center) is a shopping center and office building complex in the Battery Park City neighborhood in Lower Manhattan. Naturally, Diego dressed them as bankers and imagined them doing what they do best, gambling.
Diego designed this piece uniquely for Agustin, who interpreted his idea brilliantly, incorporating his own style and technique. Agustin introduced vibrant colors and patterns that are of his own vision and cultural Zapotec heritage. We will soon introduce you further to Agustin and his work.
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